Agentive and Independent Older Female Adult in Strong Woman Gang Nam-Soon: Going Against Prevalent Gendered Ageism in K-Dramas

This article explores the representation of an older female adult (OFA) in the Korean drama Strong Woman Gang Nam-Soon. While scholarship on OFA has revealed their lack of positive representation—resulting in multifarious detriments—literature on OFA in K-drama is considerably scanty. Hence, this article employs content analysis, focusing on one of the protagonists, Gil Jung-Gan. Additionally, to enrich the discussion, industrial analysis was also carried out. The critical discussion focuses on three major aspects: 1) the feminist perspective influencing the K-drama industry, 2) principles of agentive and powerful OFA character, and 3) beauty and successful aging discourse. This article argues that the positive representation of Gil Jung-Gan is the manifestation of the progressive movement and influence of local and global feminism, which can be traced through the fulfillment of the majority of the principles. Additionally, the series incorporates successful aging discourse to represent Gil Jung-Gan as an agentive and non-traditional OFA, which is achieved mainly by physical appearance and social engagement.

Authors

Institutions

Publication Details

Journal
K@ta
Published
2024-12-20
DOI
https://doi.org/10.9744/kata.26.2.121-134
Primary Topic
Psychosocial Factors Impacting Youth
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Agentive and Independent Older Female Adult in Strong Woman Gang Nam-Soon: Going Against Prevalent Gendered Ageism in K-Dramas

Yuliyanto Chandra
K@ta
Psychosocial Factors Impacting Youth
article

Agentive and Independent Older Female Adult in Strong Woman Gang Nam-Soon: Going Against Prevalent Gendered Ageism in K-Dramas

Yuliyanto Chandra
article en

Abstract

This article explores the representation of an older female adult (OFA) in the Korean drama Strong Woman Gang Nam-Soon. While scholarship on OFA has revealed their lack of positive representation—resulting in multifarious detriments—literature on OFA in K-drama is considerably scanty. Hence, this article employs content analysis, focusing on one of the protagonists, Gil Jung-Gan. Additionally, to enrich the discussion, industrial analysis was also carried out. The critical discussion focuses on three major aspects: 1) the feminist perspective influencing the K-drama industry, 2) principles of agentive and powerful OFA character, and 3) beauty and successful aging discourse. This article argues that the positive representation of Gil Jung-Gan is the manifestation of the progressive movement and influence of local and global feminism, which can be traced through the fulfillment of the majority of the principles. Additionally, the series incorporates successful aging discourse to represent Gil Jung-Gan as an agentive and non-traditional OFA, which is achieved mainly by physical appearance and social engagement.

K@taVol. 26(2)
Universitas Katolik Widya Mandala Surabaya (ID)
Gender equality
Openalex Percentile: Top 59%
Psychosocial Factors Impacting Youth
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Agentive and Independent Older Female Adult in Strong Woman Gang Nam-Soon: Going Against Prevalent Gendered Ageism in K-Dramas — Yuliyanto Chandra · K@ta (2024) | TGRS Research Map | TGRS