Un’architettura 'autre': l’allestimento per la mostra 'Moda Stile Costume' a 'Italia ’61'

Organized as part of the international exhibition Italia ’61 with the aim of offering the public a reflection on the evolution of Italian society over the preceding sixty years, the exhibition Moda Stile Costume was distinguished by an evocative setting designed by architects Roberto Gabetti, Aimaro Isola, Giorgio Raineri and Augusto Cavallari Murat, in collaboration with the sculptor Franco Garelli. The design proposal featured a free composition of veils, in dialogue both with the concrete shell-roof of the Palazzo delle Mostre and with the environmental installations conceived by Franco Garelli. This approach allowed the architects to address the vast interior space of the building while capturing the playful and ironic spirit of the exhibition and its contents. A nuanced interpretation of the alternating souls of post-war Turin – where the scientific rigor of industrial expansion coexisted with the whimsical impulses of its peculiar intellectual milieu – the exhibition represents the result of a collaborative effort that involved architects, intellectuals, artists, and entrepreneurs. In doing so, it offered a cross-section of Turin’s cultural life during the Italian economic miracle.

Authors

Institutions

Publication Details

Journal
Opus Incertum
Published
2024-12-24
DOI
https://doi.org/10.36253/opus-15834
Primary Topic
Italian Fascism and Post-war Society
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Un’architettura 'autre': l’allestimento per la mostra 'Moda Stile Costume' a 'Italia ’61'

Leone Carlo Ghoddousi
Opus Incertum
Italian Fascism and Post-war Society
article

Un’architettura 'autre': l’allestimento per la mostra 'Moda Stile Costume' a 'Italia ’61'

Leone Carlo Ghoddousi
article en

Abstract

Organized as part of the international exhibition Italia ’61 with the aim of offering the public a reflection on the evolution of Italian society over the preceding sixty years, the exhibition Moda Stile Costume was distinguished by an evocative setting designed by architects Roberto Gabetti, Aimaro Isola, Giorgio Raineri and Augusto Cavallari Murat, in collaboration with the sculptor Franco Garelli. The design proposal featured a free composition of veils, in dialogue both with the concrete shell-roof of the Palazzo delle Mostre and with the environmental installations conceived by Franco Garelli. This approach allowed the architects to address the vast interior space of the building while capturing the playful and ironic spirit of the exhibition and its contents. A nuanced interpretation of the alternating souls of post-war Turin – where the scientific rigor of industrial expansion coexisted with the whimsical impulses of its peculiar intellectual milieu – the exhibition represents the result of a collaborative effort that involved architects, intellectuals, artists, and entrepreneurs. In doing so, it offered a cross-section of Turin’s cultural life during the Italian economic miracle.

Opus IncertumVol. 10
Modern University for the Humanities (RU)
Openalex Percentile: Top 59%
Italian Fascism and Post-war Society
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.