Ettore Sottsass e l’allestimento come spazio intimo. Mostre d’arte e design (1947-1992)

Exhibition design represents an important and integral chapter of Ettore Sottsass jr.’s design activity, spanning from the early stages of his professional journey to the later years, when he headed the eponymous Sottsass Associati studio. This is an aspect of the multifaceted personality of the artist and designer that is still understudied today, yet it reveals an original interpretation of the rules of display, as well as a deep sensitivity towards the works of art and design to be exhibited. From the earliest experiments to the more mature ones, Sottsass approached exhibition design as a cohesive philosophy. His methodology was thoughtful and consistent, with specific features both in terms of distribution and construction, and with regard to the creation of a peculiar and intimate ‘sensory atmosphere’.

Authors

Institutions

Publication Details

Journal
Opus Incertum
Published
2024-12-24
DOI
https://doi.org/10.36253/opus-15843
Primary Topic
Architecture and Art History Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Ettore Sottsass e l’allestimento come spazio intimo. Mostre d’arte e design (1947-1992)

Davide Turrini, Elisabetta Trincherini
Opus Incertum
Architecture and Art History Studies
article

Ettore Sottsass e l’allestimento come spazio intimo. Mostre d’arte e design (1947-1992)

Davide Turrini, Elisabetta Trincherini
article en

Abstract

Exhibition design represents an important and integral chapter of Ettore Sottsass jr.’s design activity, spanning from the early stages of his professional journey to the later years, when he headed the eponymous Sottsass Associati studio. This is an aspect of the multifaceted personality of the artist and designer that is still understudied today, yet it reveals an original interpretation of the rules of display, as well as a deep sensitivity towards the works of art and design to be exhibited. From the earliest experiments to the more mature ones, Sottsass approached exhibition design as a cohesive philosophy. His methodology was thoughtful and consistent, with specific features both in terms of distribution and construction, and with regard to the creation of a peculiar and intimate ‘sensory atmosphere’.

Opus IncertumVol. 10
University of Ferrara (IT), University of Florence (IT)
Openalex Percentile: Top 62%
Architecture and Art History Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Ettore Sottsass e l’allestimento come spazio intimo. Mostre d’arte e design (1947-1992) — Davide Turrini, Elisabetta Trincherini · Opus Incertum (2024) | TGRS Research Map | TGRS