The Feminine Voice in Mythology: A Comparative Study of Chitra Banerjee Divakaruni’s ‘The Palace of Illusions’ and ‘The Forest of Enchantments’

This paper explores the feminist perspectives in Chitra Banerjee Divakaruni’s novels The Palace of Illusions and The Forest of Enchantments, where the author reimagines two of India’s most iconic epics, the Mahabharata and the Ramayana, through the eyes of their marginalized female protagonists. The Palace of Illusions retells the story of Draupadi, portraying her as a complex, independent woman who challenges traditional gender roles and societal expectations. Similarly, The Forest of Enchantments gives voice to Sita, emphasizing her strength, agency, and emotional depth, countering her usual depiction as a passive figure. By comparing these two works, this study highlights Divakaruni’s contribution to feminist literature, as she reinterprets ancient mythological narratives to foreground women’s resilience, autonomy, and inner struggles. The paper argues that through these narratives, Divakaruni asserts the importance of reclaiming and retelling women’s stories, redefining the role of women in both literature and society.

Authors

Institutions

Publication Details

Journal
Shanlax International Journal of Arts Science and Humanities
Published
2024-10-28
DOI
https://doi.org/10.34293/sijash.v12is1-oct.8289
Primary Topic
Media, Gender, and Advertising
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

The Feminine Voice in Mythology: A Comparative Study of Chitra Banerjee Divakaruni’s ‘The Palace of Illusions’ and ‘The Forest of Enchantments’

R Brunda, Ujwala S Shetty
Shanlax International Journal of Arts Science and Humanities
Media, Gender, and Advertising
article

The Feminine Voice in Mythology: A Comparative Study of Chitra Banerjee Divakaruni’s ‘The Palace of Illusions’ and ‘The Forest of Enchantments’

R Brunda, Ujwala S Shetty
article en

Abstract

This paper explores the feminist perspectives in Chitra Banerjee Divakaruni’s novels The Palace of Illusions and The Forest of Enchantments, where the author reimagines two of India’s most iconic epics, the Mahabharata and the Ramayana, through the eyes of their marginalized female protagonists. The Palace of Illusions retells the story of Draupadi, portraying her as a complex, independent woman who challenges traditional gender roles and societal expectations. Similarly, The Forest of Enchantments gives voice to Sita, emphasizing her strength, agency, and emotional depth, countering her usual depiction as a passive figure. By comparing these two works, this study highlights Divakaruni’s contribution to feminist literature, as she reinterprets ancient mythological narratives to foreground women’s resilience, autonomy, and inner struggles. The paper argues that through these narratives, Divakaruni asserts the importance of reclaiming and retelling women’s stories, redefining the role of women in both literature and society.

Shanlax International Journal of Arts Science and HumanitiesVol. 12(S1-Oct)
Hans Raj Mahila Maha Vidyalaya (IN)
Gender equality
Openalex Percentile: Top 63%
Media, Gender, and Advertising
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

The Feminine Voice in Mythology: A Comparative Study of Chitra Banerjee Divakaruni’s ‘The Palace of Illusions’ and ‘The Forest of Enchantments’ — R Brunda, Ujwala S Shetty · Shanlax International Journal of Arts Science and Humanities (2024) | TGRS Research Map | TGRS