No One Lives in the Future: Family Dynamics and Environmental Discourse

In the context of catastrophic climate change, the optimism that underpins our economic models for calculating the future cost of present risks has become both untenable and dangerous. Nonetheless, even writing urgently concerned with these risks continues to invoke a version of the Child as a figure of futurity that appears to naturalize both this optimism and our present inaction. In this essay, I argue that we might find another path forward by looking back to the eighteenth-century stories that seem to demonstrate a similar preoccupation with children in danger. Taking Hogarth’s A Harlot’s Progress as a representative example, I highlight the hinged structure of these narratives as a useful new approach to imagining intergenerational risks and responsibilities in our shared present.

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Publication Details

Journal
ABO Interactive Journal for Women in the Arts 1640-1830
Published
2024-12-01
DOI
https://doi.org/10.5038/2157-7129.14.2.1421
Primary Topic
Climate Change Communication and Perception
Type
article
Field-Weighted Citation Impact
0.00
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article

No One Lives in the Future: Family Dynamics and Environmental Discourse

Morgan Vanek
ABO Interactive Journal for Women in the Arts 1640-1830
Climate Change Communication and Perception
article

No One Lives in the Future: Family Dynamics and Environmental Discourse

Morgan Vanek
article en

Abstract

In the context of catastrophic climate change, the optimism that underpins our economic models for calculating the future cost of present risks has become both untenable and dangerous. Nonetheless, even writing urgently concerned with these risks continues to invoke a version of the Child as a figure of futurity that appears to naturalize both this optimism and our present inaction. In this essay, I argue that we might find another path forward by looking back to the eighteenth-century stories that seem to demonstrate a similar preoccupation with children in danger. Taking Hogarth’s A Harlot’s Progress as a representative example, I highlight the hinged structure of these narratives as a useful new approach to imagining intergenerational risks and responsibilities in our shared present.

ABO Interactive Journal for Women in the Arts 1640-1830Vol. 14(2)
University of Calgary (CA)
Openalex Percentile: Top 59%
Climate Change Communication and Perception
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