Metastable Inventions: Simondonian concretisation and technical invention in modular synthesis practice

This article analyses the author’s modular synthesis practice through the lens of Simondonian philosophy, arguing that modular synthesis represents a dynamic example of technical ontogenesis in artistic practice. With its emphasis on technical becoming , Gilbert Simondon’s philosophy of technology provides a detailed framework for the analysis of modular synthesis patching. Following a practice-based methodology, the article references two ‘think-aloud’ videos filmed of the author patching on two modular synthesis systems. Tracing the genesis of sound sources throughout each session, aspects of Simondonian technical invention are analysed with respect to this creative practice. As these patches concretise, an increasingly saturated associated milieu is shown to emerge as the driving force behind technical invention. Seeking resolutions between incompatibilities arising between the internal milieu of a sound source and the external milieu of the modular system, the analysis reveals the appearance of metastable states within the ontogenesis of each patch. By detailing the various forms of recurrent causality in these patches, this article reveals how modular synthesis practice can serve as the site for the co-evolution of musical ideas and technical objects; a theatre of individuation that is both more-than-human in its evolutionary potential, and more-than-music in its practical application.