KAJIAN TIGA RUANG PSIKIS LACAN PADA NARATIF FILM IVANNA (2022) KARYA KIMO STAMBOEL

Jacques Lacan divides the human psychic area or subject into three parts, namely The Real, The Imaginary, and The Symbolic. In The Ivanna by Kimo Stamboel, Ivanna passes through these three rooms as a ghost who is looking for her head. The Ivanna tells about the terror of the ghost of Ivanna, who suffered a tragic death because she was killed by Japanese soldiers. This research uses a qualitative descriptive method that processes selected scenes in the film Ivanna for analysis to find three psychic spaces that Ivanna passes through as a head-seeking ghost. The Real is experienced when Ivanna's ghostly body is destroyed, thrown in a well, and burned. Ivanna experienced The Imaginary when Ambar saw a projection on the wall regarding Ivanna's past. Ambar, who can translate the meaning of the projections on the wall, finds Ivanna's demands, in the form of bodily integrity. Meanwhile, Ivanna goes through The Symbolic while hunting for the heads of people living in a nursing home. Ivanna got her wish, but because the head she took did not match her wishes, she continued hunting for new heads

Authors

Institutions

Publication Details

Journal
TEXTURE Art and Culture Journal
Published
2024-12-31
DOI
https://doi.org/10.33153/texture.v7i2.6220
Primary Topic
Educational Methods and Impacts
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

KAJIAN TIGA RUANG PSIKIS LACAN PADA NARATIF FILM IVANNA (2022) KARYA KIMO STAMBOEL

Annisa Rachmatika Sari, Wahyu Utami Wati
TEXTURE Art and Culture Journal
Educational Methods and Impacts
article

KAJIAN TIGA RUANG PSIKIS LACAN PADA NARATIF FILM IVANNA (2022) KARYA KIMO STAMBOEL

Annisa Rachmatika Sari, Wahyu Utami Wati
article en

Abstract

Jacques Lacan divides the human psychic area or subject into three parts, namely The Real, The Imaginary, and The Symbolic. In The Ivanna by Kimo Stamboel, Ivanna passes through these three rooms as a ghost who is looking for her head. The Ivanna tells about the terror of the ghost of Ivanna, who suffered a tragic death because she was killed by Japanese soldiers. This research uses a qualitative descriptive method that processes selected scenes in the film Ivanna for analysis to find three psychic spaces that Ivanna passes through as a head-seeking ghost. The Real is experienced when Ivanna's ghostly body is destroyed, thrown in a well, and burned. Ivanna experienced The Imaginary when Ambar saw a projection on the wall regarding Ivanna's past. Ambar, who can translate the meaning of the projections on the wall, finds Ivanna's demands, in the form of bodily integrity. Meanwhile, Ivanna goes through The Symbolic while hunting for the heads of people living in a nursing home. Ivanna got her wish, but because the head she took did not match her wishes, she continued hunting for new heads

TEXTURE Art and Culture JournalVol. 7(2)
Universitas Dian Nuswantoro (ID)
Openalex Percentile: Top 65%
Educational Methods and Impacts
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

KAJIAN TIGA RUANG PSIKIS LACAN PADA NARATIF FILM IVANNA (2022) KARYA KIMO STAMBOEL — Annisa Rachmatika Sari, Wahyu Utami Wati · TEXTURE Art and Culture Journal (2024) | TGRS Research Map | TGRS