“THIRD PROJECT” OF THE CHINESE MODERNISM IN THE LINGUACULTURAL ASPECT OF SEMIOTIC ANALYSIS

The article examines the main factors that determined the specifics of the formation of modernism as a linguacultural phenomenon in the Chinese linguistic world image in the 80s of the XXth century; the possibilities of a semiotic approach to the study of linguistic and cultural features of the “sign language” of Chinese modernism are analyzed; the features of the functioning of signs in the process of semiosis have been studied, and an attempt has been made to interpret the nature of signs in order to decode elements that semantically indicate the details of the modernist “image” (based on the material of Chinese literary prose of the 80s of the XXth century).