Methods of word formation of cinematic vocabulary

This article is devoted to the analysis of the ways of word formation of the cinematic vocabulary of the modern German language. The relevance of the research is determined by several factors: firstly, cinema is one of the most influential art forms in the modern world, occupying an important place in culture, forming national and global cultural norms, which leads to constant updating of the language, including the creation of new words and terms reflecting processes, phenomena and technologies related to Secondly, the German language, like other languages of the world, actively borrows lexical units from other languages and creates new words, adapting them to grammatical and phonetic norms. The purpose of the study is to identify the specifics of the ways of word formation in the cinematic terminological system of the German language. To achieve the set research goal, a number of key tasks were identified and successfully completed: 1) the main ways of word formation of specialized vocabulary used in the field of cinema are analyzed; 2) general patterns of word formation of cinematic vocabulary are revealed; 3) the data obtained are systematized and the main trends and productive ways of word formation in the cinematic terminological system of the German language are determined. In this study, attention is paid to the classification of word formation methods proposed by S. V. Grinev-Grinevich. The researcher identifies four main ways of word formation: semantic, morphological, syntactic and morphological-syntactic, which have a significant impact on the formation of terms in various fields, including in cinema. The scientific novelty of the study lies in the fact that the analysis not only reveals the specificity and productivity of the corresponding methods of word formation, but also traces the dynamics of the development of film vocabulary in the German language. This is important for understanding how languages adapt to new realities and how terminology develops. The study revealed that in the process of word formation of the cinematic terminological system of the German language, preference is given to the semantic, morphological, morphological and syntactic method. They effectively contribute to the formation of a terminosphere that accurately reflects the evolutionary processes in the film industry. At the same time, the syntactic method, despite its more limited use, plays a key role in creating extensive structural expressions and specialized vocabulary, which provides film professionals with accurate tools to describe their technical and creative processes.