Historismus v rokokovém malířství ve střední Evropě. Případ Slezska

There is an evident programmatic turn towards the works of the great masters of the late Renaissance and High Baroque in the work of numerous Rococo and late Baroque painters in Europe. This is also true for Silesia, where artists (B. Krause, M. Brandeis, G. Reinitius) mainly emulated the works of Michael Willmann, the most prominent Baroque painter in Silesia. This historicism had not only an artistic but also an ideological significance, as it expressed the patron’s pro-Habsburg sympathies.

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Publication Details

Journal
Historica Revue pro historii a příbuzné vědy
Published
2024-12-01
DOI
https://doi.org/10.15452/historica.2024.15.0006
Primary Topic
European Cultural and National Identity
Type
article
Field-Weighted Citation Impact
0.00

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article

Historismus v rokokovém malířství ve střední Evropě. Případ Slezska

Andrzej Kozieł
Historica Revue pro historii a příbuzné vědy
European Cultural and National Identity
article

Historismus v rokokovém malířství ve střední Evropě. Případ Slezska

Andrzej Kozieł
article en

Abstract

There is an evident programmatic turn towards the works of the great masters of the late Renaissance and High Baroque in the work of numerous Rococo and late Baroque painters in Europe. This is also true for Silesia, where artists (B. Krause, M. Brandeis, G. Reinitius) mainly emulated the works of Michael Willmann, the most prominent Baroque painter in Silesia. This historicism had not only an artistic but also an ideological significance, as it expressed the patron’s pro-Habsburg sympathies.

Historica Revue pro historii a příbuzné vědyVol. 15(2)
Ruhr University Bochum (DE)
Brandeis University
Openalex Percentile: Top 59%
European Cultural and National Identity
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