Viewpoints and the Performance of Force in William Carlos Williams

Abstract In this article, William’s story “The Use of Force” is viewed through the analytical lens of “Viewpoints,” a theatrical performance technique originally developed in the 1970s by artist and educator Mary Overlie. When taught alongside performative texts such as “The Use of Force,” Viewpoints emerges as an important teaching tool for medical students as they navigate professionalism, self-reflexivity, and their place in space and time. Following a reading of Williams’s story, the article discusses its direct application in medical education for schools that emphasize a humanistic approach to patient care.

Authors

Publication Details

Journal
William Carlos Williams Review
Published
2024-12-01
DOI
https://doi.org/10.5325/willcarlwillrevi.41.2.0109
Primary Topic
Musicology and Musical Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Viewpoints and the Performance of Force in William Carlos Williams

Chase Crossno, Lauren Mitchell
William Carlos Williams Review
Musicology and Musical Analysis
article

Viewpoints and the Performance of Force in William Carlos Williams

Chase Crossno, Lauren Mitchell
article en

Abstract

Abstract In this article, William’s story “The Use of Force” is viewed through the analytical lens of “Viewpoints,” a theatrical performance technique originally developed in the 1970s by artist and educator Mary Overlie. When taught alongside performative texts such as “The Use of Force,” Viewpoints emerges as an important teaching tool for medical students as they navigate professionalism, self-reflexivity, and their place in space and time. Following a reading of Williams’s story, the article discusses its direct application in medical education for schools that emphasize a humanistic approach to patient care.

William Carlos Williams ReviewVol. 41(2)
Openalex Percentile: Top 67%
Musicology and Musical Analysis
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