Veil Pulling as Orientalist and Colonial Violence: Contemporary Case Studies in Canada

The veil occupies a significant position within Western discourses as a symbol of Islam and a representation of Muslim women’s perceived oppression. Rooted in historical and contemporary narratives, the veil’s portrayal often intersects with colonial and post-colonial discourses. This paper explores the violent act of veil-pulling, a hate crime involving the forced removal of a Muslim woman’s veil, as an extension of colonial ideologies and racialized oppression. Using the theoretical frameworks of Franz Fanon’s analysis of French-colonized Algeria and Edward Said’s Orientalism, this study investigates the enduring legacy of colonial attitudes toward the veil and their manifestation in modern contexts. The analysis highlights the nuanced connections between the historical practice of unveiling as a colonial tool and the contemporary targeting of veiled Muslim women. Drawing on case studies such as incidents at a Tennessee secondary school, the development of “Hijab Emergency Kits” at Dalhousie University, and occurrences at pro-Palestinian protests, this paper argues that veil-pulling is not merely a random act of aggression, but a deeply embedded act of violence rooted in colonial and racist intentions. This research underscores the need to recognize and address veil-pulling as a systemic issue requiring a critical and informed analysis.

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Publication Details

Journal
Religious and Socio-Political Studies Journal
Published
2024-12-31
DOI
https://doi.org/10.29173/rssj16
Primary Topic
Race, History, and American Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Veil Pulling as Orientalist and Colonial Violence: Contemporary Case Studies in Canada

Fatima Chakroun
Religious and Socio-Political Studies Journal
Race, History, and American Society
article

Veil Pulling as Orientalist and Colonial Violence: Contemporary Case Studies in Canada

Fatima Chakroun
article en

Abstract

The veil occupies a significant position within Western discourses as a symbol of Islam and a representation of Muslim women’s perceived oppression. Rooted in historical and contemporary narratives, the veil’s portrayal often intersects with colonial and post-colonial discourses. This paper explores the violent act of veil-pulling, a hate crime involving the forced removal of a Muslim woman’s veil, as an extension of colonial ideologies and racialized oppression. Using the theoretical frameworks of Franz Fanon’s analysis of French-colonized Algeria and Edward Said’s Orientalism, this study investigates the enduring legacy of colonial attitudes toward the veil and their manifestation in modern contexts. The analysis highlights the nuanced connections between the historical practice of unveiling as a colonial tool and the contemporary targeting of veiled Muslim women. Drawing on case studies such as incidents at a Tennessee secondary school, the development of “Hijab Emergency Kits” at Dalhousie University, and occurrences at pro-Palestinian protests, this paper argues that veil-pulling is not merely a random act of aggression, but a deeply embedded act of violence rooted in colonial and racist intentions. This research underscores the need to recognize and address veil-pulling as a systemic issue requiring a critical and informed analysis.

Religious and Socio-Political Studies JournalVol. 2(1)
Wilfrid Laurier University (CA)
Openalex Percentile: Top 59%
Race, History, and American Society
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