La teoria del sublime di Johann Jacob Bodmer e l’arte di Johann Heinrich Füssli

Fuseli's education took place under the guidance of Bodmer, who introduced him to the reading of Pseudo-Longinus and the great works of world literature. From Bodmer he derived the idea that the artistic transposition of the so-called “violent” or “tumultuous” sublime produces pleasure mixed with displeasure. His painting was strongly influenced not only by ancient, Renaissance and Mannerist art, but also by physiognomy. After moving to London, he applied what he had learned in illustrating Shakespeare and Milton.

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Publication Details

Journal
Materiali di Estetica Terza serie
Published
2024-12-30
DOI
https://doi.org/10.54103/mde.i11.2.27730
Primary Topic
German Literature and Culture Studies
Type
article
Field-Weighted Citation Impact
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article

La teoria del sublime di Johann Jacob Bodmer e l’arte di Johann Heinrich Füssli

Oscar Meo
Materiali di Estetica Terza serie
German Literature and Culture Studies
article

La teoria del sublime di Johann Jacob Bodmer e l’arte di Johann Heinrich Füssli

Oscar Meo
article en

Abstract

Fuseli's education took place under the guidance of Bodmer, who introduced him to the reading of Pseudo-Longinus and the great works of world literature. From Bodmer he derived the idea that the artistic transposition of the so-called “violent” or “tumultuous” sublime produces pleasure mixed with displeasure. His painting was strongly influenced not only by ancient, Renaissance and Mannerist art, but also by physiognomy. After moving to London, he applied what he had learned in illustrating Shakespeare and Milton.

Materiali di Estetica Terza serie(11.2)
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German Literature and Culture Studies
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La teoria del sublime di Johann Jacob Bodmer e l’arte di Johann Heinrich Füssli — Oscar Meo · Materiali di Estetica Terza serie (2024) | TGRS Research Map | TGRS