Reversing the archive or how humans started archiving dances from machines

The NPC (non-player character) movement invites users to embody machinic gestures, conceptualized as a “dispassionate disposition of the posthuman condition.” This study combines a bibliographic review on the body in technology and dance archives with an analysis of TikTok profiles showcasing NPC aesthetics. It situates the phenomenon within ecological and cultural contexts, exploring organic archives such as trees, reefs, ice caps, and humans refining machinic gestures as a form of embodied memory.

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Publication Details

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Conceição|Conception
Published
2024-12-20
DOI
https://doi.org/10.20396/conce.v13i00.8678261
Primary Topic
Diversity and Impact of Dance
Type
article
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article

Reversing the archive or how humans started archiving dances from machines

Jorge Poveda Yánez, Nico Valdivia Hennig
Conceição|Conception
Diversity and Impact of Dance
article

Reversing the archive or how humans started archiving dances from machines

Jorge Poveda Yánez, Nico Valdivia Hennig
article en

Abstract

The NPC (non-player character) movement invites users to embody machinic gestures, conceptualized as a “dispassionate disposition of the posthuman condition.” This study combines a bibliographic review on the body in technology and dance archives with an analysis of TikTok profiles showcasing NPC aesthetics. It situates the phenomenon within ecological and cultural contexts, exploring organic archives such as trees, reefs, ice caps, and humans refining machinic gestures as a form of embodied memory.

Conceição|ConceptionVol. 13
University of California, Riverside (US)
Openalex Percentile: Top 69%
Diversity and Impact of Dance
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