Visual Metaphor and Narrative: Ekphrasis in Fictional Narrative Prose of Late Antiquity

Abstract This article presents an interpretation of some functions performed by ekphrastic structures in the context of Ancient fictional narrative prose. Concrete examples are taken from two Ancient Greek novels: Daphnis and Chloe by Longus and Leucippe and Clitophon by Achilles Tatius. Using Olga Freidenberg’s conceptual and interpretative apparatus as a lens for reading the textual material, the central claim of the article is that within Ancient prose narrative, ekphrasis and metaphor are functionally interrelated, with ekphrasis serving to metaphorically embed narrative content within the mythological, affective, and genre-related fields of the textual production of meaning. At the same time, while adopting Freidenberg’s definition of metaphor as a primal state of cognitive indistinction between image and concept, the article attempts to go beyond her mythological interpretation of the Ancient novel and to provide a more socially and historically relevant understanding of the semantic features of this genre.

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Publication Details

Journal
Linguistic Frontiers
Published
2024-12-01
DOI
https://doi.org/10.2478/lf-2024-0020
Primary Topic
Classical Antiquity Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Visual Metaphor and Narrative: Ekphrasis in Fictional Narrative Prose of Late Antiquity

Bogdana Paskaleva
Linguistic Frontiers
Classical Antiquity Studies
article

Visual Metaphor and Narrative: Ekphrasis in Fictional Narrative Prose of Late Antiquity

Bogdana Paskaleva
article en

Abstract

Abstract This article presents an interpretation of some functions performed by ekphrastic structures in the context of Ancient fictional narrative prose. Concrete examples are taken from two Ancient Greek novels: Daphnis and Chloe by Longus and Leucippe and Clitophon by Achilles Tatius. Using Olga Freidenberg’s conceptual and interpretative apparatus as a lens for reading the textual material, the central claim of the article is that within Ancient prose narrative, ekphrasis and metaphor are functionally interrelated, with ekphrasis serving to metaphorically embed narrative content within the mythological, affective, and genre-related fields of the textual production of meaning. At the same time, while adopting Freidenberg’s definition of metaphor as a primal state of cognitive indistinction between image and concept, the article attempts to go beyond her mythological interpretation of the Ancient novel and to provide a more socially and historically relevant understanding of the semantic features of this genre.

Linguistic FrontiersVol. 7(3)
Sofia University "St. Kliment Ohridski" (BG)
Openalex Percentile: Top 62%
Classical Antiquity Studies
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