INTRANS: AN EMERGING DESIGN OF MALAYSIAN NATIONAL IDENTITY IN TRANSFORMING SCULPTURE

The first transforming sculpture was introduced in Japan by Tomoo Yamaji in the year 2000, and he became one of the artists who popularized this style. Since then, many artists have attempted to replicate this transforming style; however, they have not reached the same standard or style as Yamaji’s sculptures. Additionally, there are very few adaptations of this style or concept worldwide, especially in Malaysia. Therefore, we aim to adapt this concept from Malaysia’s perspective, incorporating both 2-dimensional and 3-dimensional design elements through the Interactive Transforming Sculpture (INTRANS) branding to showcase national identity on a global scale. To realize this innovative INTRANS concept, we need to investigate the appropriate processes and requirements. This involves examining materials and techniques through observation and analysis of previous artworks by various artists, which could help design a sculpture that embodies Malaysian national identity and assist Malaysian sculptors in embracing this identity. Literature indicates that there is a very limited number of fine artists interested in applying this kind of sculpture technique, primarily due to a lack of knowledge about transforming mechanisms and a lack of passion. The adaptation of this concept could lead to further research and development in INTRANS creative innovation.

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Publication Details

Journal
International Journal of Heritage Art and Multimedia
Published
2024-09-23
DOI
https://doi.org/10.35631/ijham.722003
Primary Topic
Architecture and Cultural Influences
Type
article
Field-Weighted Citation Impact
0.00

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article

INTRANS: AN EMERGING DESIGN OF MALAYSIAN NATIONAL IDENTITY IN TRANSFORMING SCULPTURE

Abdul Aziz Zalay Zali, Zukeri Ibrahim, Nik Zulkarnaen Khidzir, Azwan Abdul Karim
International Journal of Heritage Art and Multimedia
Architecture and Cultural Influences
article

INTRANS: AN EMERGING DESIGN OF MALAYSIAN NATIONAL IDENTITY IN TRANSFORMING SCULPTURE

Abdul Aziz Zalay Zali, Zukeri Ibrahim, Nik Zulkarnaen Khidzir, Azwan Abdul Karim
article en

Abstract

The first transforming sculpture was introduced in Japan by Tomoo Yamaji in the year 2000, and he became one of the artists who popularized this style. Since then, many artists have attempted to replicate this transforming style; however, they have not reached the same standard or style as Yamaji’s sculptures. Additionally, there are very few adaptations of this style or concept worldwide, especially in Malaysia. Therefore, we aim to adapt this concept from Malaysia’s perspective, incorporating both 2-dimensional and 3-dimensional design elements through the Interactive Transforming Sculpture (INTRANS) branding to showcase national identity on a global scale. To realize this innovative INTRANS concept, we need to investigate the appropriate processes and requirements. This involves examining materials and techniques through observation and analysis of previous artworks by various artists, which could help design a sculpture that embodies Malaysian national identity and assist Malaysian sculptors in embracing this identity. Literature indicates that there is a very limited number of fine artists interested in applying this kind of sculpture technique, primarily due to a lack of knowledge about transforming mechanisms and a lack of passion. The adaptation of this concept could lead to further research and development in INTRANS creative innovation.

International Journal of Heritage Art and MultimediaVol. 7(22)
Sultan Idris Education University (MY), Universiti Malaysia Kelantan (MY)
Universiti Malaysia Kelantan
Openalex Percentile: Top 58%
Architecture and Cultural Influences
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