TEKNIK PERMAINAN DAN PENYAJIAN NEVICATA OPUS 29 PASTORALE KARYA BENVENUTO TERZI

This study discusses the interpretation and presentation techniques of Nevicata Op. 29 Pastorale by Benvenuto Terzi. The techniques used are interpretation techniques based on musical elements such as dynamics, tempo, and playing techniques in the form of barre, vibrato, arpeggio, harmonics, trills, glissando, slur, nano izi quardo solo, tone color, apoyando, tirando, sul tasto, and sul ponticello techniques. This study also explains the difficulties experienced by the author when presenting nevicata in a recital and how to overcome them during the practice process. The very basic level of complexity in this nevicata is the use of larghissimo (slow) and piano (soft) tempos. In the last section, the author explains the presentation of nevicata op. 29 when performing a recital.

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Publication Details

Journal
Tamumatra Jurnal Seni Pertunjukan
Published
2024-12-31
DOI
https://doi.org/10.29408/tmmt.v7i1.27945
Primary Topic
Contemporary Christian Leadership and Education
Type
article
Field-Weighted Citation Impact
0.00
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article

TEKNIK PERMAINAN DAN PENYAJIAN NEVICATA OPUS 29 PASTORALE KARYA BENVENUTO TERZI

Kartika Manalu Manalu, Kristin Advent J Berutu
Tamumatra Jurnal Seni Pertunjukan
Contemporary Christian Leadership and Education
article

TEKNIK PERMAINAN DAN PENYAJIAN NEVICATA OPUS 29 PASTORALE KARYA BENVENUTO TERZI

Kartika Manalu Manalu, Kristin Advent J Berutu
article en

Abstract

This study discusses the interpretation and presentation techniques of Nevicata Op. 29 Pastorale by Benvenuto Terzi. The techniques used are interpretation techniques based on musical elements such as dynamics, tempo, and playing techniques in the form of barre, vibrato, arpeggio, harmonics, trills, glissando, slur, nano izi quardo solo, tone color, apoyando, tirando, sul tasto, and sul ponticello techniques. This study also explains the difficulties experienced by the author when presenting nevicata in a recital and how to overcome them during the practice process. The very basic level of complexity in this nevicata is the use of larghissimo (slow) and piano (soft) tempos. In the last section, the author explains the presentation of nevicata op. 29 when performing a recital.

Tamumatra Jurnal Seni PertunjukanVol. 7(1)
University of HKBP Nommensen (ID)
Openalex Percentile: Top 60%
Contemporary Christian Leadership and Education
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TEKNIK PERMAINAN DAN PENYAJIAN NEVICATA OPUS 29 PASTORALE KARYA BENVENUTO TERZI — Kartika Manalu Manalu, Kristin Advent J Berutu · Tamumatra Jurnal Seni Pertunjukan (2024) | TGRS Research Map | TGRS