Design and drawing: A cientific model

The article presented addresses concepts related to design and drawing. It explores the distinctions and historical origins based on Renaissance humanist traditions and the Anglo-Saxon industrial revolution, outlining the transition from the natural to the artificial, the complexities of human development in relation to the natural environment and artificiality, and in this sense, points to the introduction of design as an organiser of production. He tries to express the possibility of a scientific model between design and drawing, even though the connotations between them are absolutely different.