From “Chrysanthemum Terrace” to “Chinese Wedding”: The Evolution of the “Chinese Style” in Popular Music

This article aims to explore the evolution of the “Chinese Style” in the Chinese music scene. Through a comparative analysis of two representative “Chinese Style” songs - “Chrysanthemum Terrace” and “Chinese Wedding” - in terms of lyrics, melody, harmony, arrangement, special instruments, and singing techniques, it reveals how the development and changes of “Chinese Style” popular music over different periods. This evolution demonstrates how ‘Chinese style’ has transformed from a more traditional expression with classical overtones to a style that is more integrated, culturally authentic, and modernized.

Authors

Publication Details

Journal
Arts Culture and Language
Published
2024-12-31
DOI
https://doi.org/10.61173/6yr9r620
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

From “Chrysanthemum Terrace” to “Chinese Wedding”: The Evolution of the “Chinese Style” in Popular Music

Zurong Yang, Yonggang Tian
Arts Culture and Language
Asian Culture and Media Studies
article

From “Chrysanthemum Terrace” to “Chinese Wedding”: The Evolution of the “Chinese Style” in Popular Music

Zurong Yang, Yonggang Tian
article en

Abstract

This article aims to explore the evolution of the “Chinese Style” in the Chinese music scene. Through a comparative analysis of two representative “Chinese Style” songs - “Chrysanthemum Terrace” and “Chinese Wedding” - in terms of lyrics, melody, harmony, arrangement, special instruments, and singing techniques, it reveals how the development and changes of “Chinese Style” popular music over different periods. This evolution demonstrates how ‘Chinese style’ has transformed from a more traditional expression with classical overtones to a style that is more integrated, culturally authentic, and modernized.

Arts Culture and LanguageVol. 1(10)
Openalex Percentile: Top 59%
Asian Culture and Media Studies
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