Chahar Sandough by Bahram Beyzai and Al-Malek Hova Al-Malek by Saadallah Wannous: A Comparative Study on the Function of the Protagonist’s Character

The protagonists in Bahram Beyzai’s Chahar Sandough and Saadallah Wannous’s Al-Malek Hova Al-Malek play critical roles in the structural framework of their respective dramas. These works vividly reflect the structure of contemporary society, with the external realities influencing the protagonists and thereby enhancing their believability. The emancipatory themes, persistent interaction with individuals and society, demonstrations of power, lack of external control, and eventual triumph are key elements uniting the protagonists in these dramas. Consequently, the study identified significant parallels and shared dimensions between Baizai’s “Scarecrow” and Wannous’s “Abu Izza.” This research focuses specifically on analyzing the function of the protagonists in these two works.

Authors

Publication Details

Journal
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi / Journal of Theatre Criticism and Dramaturgy
Published
2024-12-31
DOI
https://doi.org/10.26650/jtcd.2024.3902
Citations
1
Primary Topic
Education and Islamic Studies
Type
article
Field-Weighted Citation Impact
2.10
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article

Chahar Sandough by Bahram Beyzai and Al-Malek Hova Al-Malek by Saadallah Wannous: A Comparative Study on the Function of the Protagonist’s Character

R. Farhad
1 citations
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi / Journal of Theatre Criticism and Dramaturgy
Education and Islamic Studies
2.10
article

Chahar Sandough by Bahram Beyzai and Al-Malek Hova Al-Malek by Saadallah Wannous: A Comparative Study on the Function of the Protagonist’s Character

R. Farhad
article en
1 citations

Abstract

The protagonists in Bahram Beyzai’s Chahar Sandough and Saadallah Wannous’s Al-Malek Hova Al-Malek play critical roles in the structural framework of their respective dramas. These works vividly reflect the structure of contemporary society, with the external realities influencing the protagonists and thereby enhancing their believability. The emancipatory themes, persistent interaction with individuals and society, demonstrations of power, lack of external control, and eventual triumph are key elements uniting the protagonists in these dramas. Consequently, the study identified significant parallels and shared dimensions between Baizai’s “Scarecrow” and Wannous’s “Abu Izza.” This research focuses specifically on analyzing the function of the protagonists in these two works.

Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi / Journal of Theatre Criticism and DramaturgyVol. 0(39)
Openalex Percentile: Top 10%
Education and Islamic Studies
2.10
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