Belonging in the Mix

Whose sounds fit in the nation-state? Countering histories of erasure, this essay investigates the role of hip hop music in articulating Black and Native histories and presence in Canada. Analysis of music by Kardinal Offishall, Webster, and Winnipeg’s Most demonstrates how minority and Indigenous groups express belonging and sovereignty, respectively.

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Publication Details

Journal
Musicological Annual
Published
2024-12-31
DOI
https://doi.org/10.4312/mz.60.2.109-122
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Belonging in the Mix

Liz Przybylski
Musicological Annual
Music History and Culture
article

Belonging in the Mix

Liz Przybylski
article en

Abstract

Whose sounds fit in the nation-state? Countering histories of erasure, this essay investigates the role of hip hop music in articulating Black and Native histories and presence in Canada. Analysis of music by Kardinal Offishall, Webster, and Winnipeg’s Most demonstrates how minority and Indigenous groups express belonging and sovereignty, respectively.

Musicological AnnualVol. 60(2)
University of California, Riverside (US)
Reduced inequalities
Openalex Percentile: Top 68%
Music History and Culture
DOIOpen Access PDFOpenAlex
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Belonging in the Mix — Liz Przybylski · Musicological Annual (2024) | TGRS Research Map | TGRS