Two Remarks on the Nature of the Breviarium of Patriarch Nikephoros of Constantinople and its Final Chapters

In the last modern edition of Nikephoros’ Breviarium (Mango 1990), the editor stated that this work is nothing but a few chronicle sources rewritten in Attic style (maybe sentence by sentence) and that the text shows clear signs of progressive weariness at the end of the narrative. Even if contested by some scholars, Mango’s view on Nikephoros and his work prevails. Careful analysis of the story of deposition and execution of patriarch Constantine (c. 83–84) proves that Nikephoros consciously rearranged his source material to create his own narrative and present the events in a smooth way; it also explains whence comes the supposedly confused chronology in this part of the text. Secondly, the comparison of the Nikephoros’ (c. 86) and Theophanes’ (443, 22–26) descriptions of destructions done in the imperial palace by patriarch Niketas shows that Nikephoros did rewrite his source material in a classical way par excellence, even at the very end of the work. These remarks indicate the need of rethinking or, at least, nuancing Mango’s view on the nature of the Breviarium.

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Publication Details

Journal
Classica Cracoviensia
Published
2024-12-31
DOI
https://doi.org/10.12797/cc.27.2024.27.04
Primary Topic
Byzantine Studies and History
Type
article
Field-Weighted Citation Impact
0.00
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article

Two Remarks on the Nature of the Breviarium of Patriarch Nikephoros of Constantinople and its Final Chapters

Antoni Czachor
Classica Cracoviensia
Byzantine Studies and History
article

Two Remarks on the Nature of the Breviarium of Patriarch Nikephoros of Constantinople and its Final Chapters

Antoni Czachor
article en

Abstract

In the last modern edition of Nikephoros’ Breviarium (Mango 1990), the editor stated that this work is nothing but a few chronicle sources rewritten in Attic style (maybe sentence by sentence) and that the text shows clear signs of progressive weariness at the end of the narrative. Even if contested by some scholars, Mango’s view on Nikephoros and his work prevails. Careful analysis of the story of deposition and execution of patriarch Constantine (c. 83–84) proves that Nikephoros consciously rearranged his source material to create his own narrative and present the events in a smooth way; it also explains whence comes the supposedly confused chronology in this part of the text. Secondly, the comparison of the Nikephoros’ (c. 86) and Theophanes’ (443, 22–26) descriptions of destructions done in the imperial palace by patriarch Niketas shows that Nikephoros did rewrite his source material in a classical way par excellence, even at the very end of the work. These remarks indicate the need of rethinking or, at least, nuancing Mango’s view on the nature of the Breviarium.

Classica CracoviensiaVol. 27
Jagiellonian University (PL)
Openalex Percentile: Top 66%
Byzantine Studies and History
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