Glocalising a Subculture

The article describes the culture of Japanese Gothic DJs and analyses their figures. The Gothic DJs are a part of the general Gothic art, and Goth subculture intercultural movements, taken from the West and re-invented in Japan. In Japan, those movements are a strong reaction towards the dominant, conservative culture, whereas, in the West, this classical opposition (described by, for example, Dick Hebdige) is not that strong nowadays. Japanese social collectivism is often seen as oppressive towards some artistic and free-spirited individuals. Artists like those DJs are the opposition to this collectivism, and their sets at the parties make a space for other Goths to express themselves in their safe space. This movement is also very innovative due to mixing different aesthetics (keis) and minimising the problem of subcultural gatekeeping. The paper describes the rebellion led by DJs’ performances, music sets, and visual style. It is based on the bigger field research done in 2019 and 2023, where the method used was participatory observation.

Authors

Publication Details

Journal
Intercultural Relations
Published
2024-12-31
DOI
https://doi.org/10.12797/rm.02.2024.16.05
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Glocalising a Subculture

Kamila Grabowska-Derlatka
Intercultural Relations
Music History and Culture
article

Glocalising a Subculture

Kamila Grabowska-Derlatka
article en

Abstract

The article describes the culture of Japanese Gothic DJs and analyses their figures. The Gothic DJs are a part of the general Gothic art, and Goth subculture intercultural movements, taken from the West and re-invented in Japan. In Japan, those movements are a strong reaction towards the dominant, conservative culture, whereas, in the West, this classical opposition (described by, for example, Dick Hebdige) is not that strong nowadays. Japanese social collectivism is often seen as oppressive towards some artistic and free-spirited individuals. Artists like those DJs are the opposition to this collectivism, and their sets at the parties make a space for other Goths to express themselves in their safe space. This movement is also very innovative due to mixing different aesthetics (keis) and minimising the problem of subcultural gatekeeping. The paper describes the rebellion led by DJs’ performances, music sets, and visual style. It is based on the bigger field research done in 2019 and 2023, where the method used was participatory observation.

Intercultural RelationsVol. 8(2(16))
Reduced inequalities
Openalex Percentile: Top 68%
Music History and Culture
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