A Study of the Characteristic Image of Chen Hongshou’s Woodcut “Water Margin” in the Ming Dynasty

The article examines the influence of one of the most significant artists of the Ming dynasty, Chen Hongshou (1598–1652), on the development of Chinese xylography. The artistic and philosophical features of Chen Hongshou’s engravings are analyzed using methods of historical-­cultural, stylistic, semantic, and technical-­technological analysis. The article highlights key aspects of the master’s works, including innovative execution techniques, symbolism, and emotional depth presented in the illustrations for the novel Water Margin. Studies by other authors are referenced, including articles on the artistic style and philosophical context of the artist’s work. The conclusions trace the reflection of social and cultural changes in Chen Hongshou’s engravings, as well as the interplay of traditional Chinese culture and contemporary artistic trends in the master’s works.