The Cityscape Genre in Oil Painting During the Republic of China (1912–1949)

The formation of the cityscape genre in oil painting, which fell on the short period of the Republic of China (1912–1949), is closely connected with the country’s transition to the Western modernisation model of development after its defeat in the Opium Wars. It was the time when China began to open up to the outside world and when modern, industrial cities started to appear there. As a rule, the artists who created works in this genre were trained in the West and were influenced by Western, realistic, and modernist trends in modern painting. The tradition of the Russian school of painting, which appeared in northwest China in the first quarter of the 20th century, was another source of borrowing.

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Publication Details

Journal
Scientific and analytical journal Burganov House The space of culture
Published
2024-12-22
DOI
https://doi.org/10.36340/2071-6818-2024-20-6-164-171
Primary Topic
National Identity and Symbolism
Type
article
Field-Weighted Citation Impact
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The Cityscape Genre in Oil Painting During the Republic of China (1912–1949)

Kirill Gavrilin, Gong Yuxiang
Scientific and analytical journal Burganov House The space of culture
National Identity and Symbolism
article

The Cityscape Genre in Oil Painting During the Republic of China (1912–1949)

Kirill Gavrilin, Gong Yuxiang
article en

Abstract

The formation of the cityscape genre in oil painting, which fell on the short period of the Republic of China (1912–1949), is closely connected with the country’s transition to the Western modernisation model of development after its defeat in the Opium Wars. It was the time when China began to open up to the outside world and when modern, industrial cities started to appear there. As a rule, the artists who created works in this genre were trained in the West and were influenced by Western, realistic, and modernist trends in modern painting. The tradition of the Russian school of painting, which appeared in northwest China in the first quarter of the 20th century, was another source of borrowing.

Scientific and analytical journal Burganov House The space of cultureVol. 20(6)
Openalex Percentile: Top 60%
National Identity and Symbolism
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