Autofictions in Co-labouring

In this co-authored text, the Dissonant Co-Labouring Key Group examines the difficulties, gaps, political slippages and entanglements of collaboration in its encounter with artistic and educational institutions. Engaging autofiction as a scholarly mode with different models of co-authorship, the Key Group move through critical engagements with working conditions, temporalities of labour and its instrumentalisation within and beyond universities and cultural ecologies. Dialoguing with a plurality of voices and registers, the text invokes adjacent and overlapping temporalities of working together, attends to different modalities of critical thought and collapses the distinction between the fictive and the real.

Authors

Publication Details

Journal
Performance Philosophy
Published
2024-12-30
DOI
https://doi.org/10.21476/pp.2024.91434
Primary Topic
Contemporary Literature and Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

Autofictions in Co-labouring

Daniela Perazzo Domm, Diana Damian Martin, Nik Wakefield
Performance Philosophy
Contemporary Literature and Criticism
article

Autofictions in Co-labouring

Daniela Perazzo Domm, Diana Damian Martin, Nik Wakefield
article en

Abstract

In this co-authored text, the Dissonant Co-Labouring Key Group examines the difficulties, gaps, political slippages and entanglements of collaboration in its encounter with artistic and educational institutions. Engaging autofiction as a scholarly mode with different models of co-authorship, the Key Group move through critical engagements with working conditions, temporalities of labour and its instrumentalisation within and beyond universities and cultural ecologies. Dialoguing with a plurality of voices and registers, the text invokes adjacent and overlapping temporalities of working together, attends to different modalities of critical thought and collapses the distinction between the fictive and the real.

Performance PhilosophyVol. 9(1)
Openalex Percentile: Top 62%
Contemporary Literature and Criticism
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