A Study on the mode of existence and reproduction of digital work of arts

This study is about the mode of existence and reproductive images of digital work of arts.We fundamentally examine the ontological form of objects and the changes in the functions and roles of reproductive images that accompany the plurality that is problematic in the traditional concept of art centered on essence, originality, and authenticity.Today, as science and technology development accelerate, art mediated by digital art is on the rise, and it constitutes a logical form that is included in the programatic process, such as computer programs and software.This form of art must inevitably be reproduced infinitely, and because of its own form, originality is not questioned.This reproducibility can expand the opportunity for acceptance of oneself.Since images are created through technological devices and these images are formed in our perception, we pay attention to the decisive role of interaction and perception between subjects and objects.The images of reproduction in the experience can be said to be the image of reproduction as an interaction between the subject and the object and transformation possibility through the standard of technological reproduction.