Iconography and Tolerance Values in the Ornaments of Astana Mosque Jepara

The manuscript aims to identify the meanings of the ornaments of Sultan Hadirin Astana Mosque in Mantingan Village, Tahunan Sub-District, Jepara Regency. The Mosque built by Ratu Kalinyamat and Sultan Hadirin in the 16th Century in Jepara was studied by iconographical theory. An observation and a literary study collected the data and descriptively described it. The research study showed that the Astana Mosque has peculiarities in the form of ornaments stuck to the Mosque's fence. The ornaments contain Hindu pre-Islamic, Chinese, and Jepara local indigenous ornaments, which have been conserved until now. The craftsmanship of the citizen of Jepara City, popularly known as a city of carving, was inspired by their ancestors. However, Muslim artists have taken a middle course by stylizing ornament forms contrary to Islamic Sharia, which do not change the substance, for example, the models of animals and humans. It showed the realization of a cultural tolerance model (craft art) necessary to be the role model of a cultured generation.

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Publication Details

Journal
Journal of Islamic Architecture
Published
2024-12-31
DOI
https://doi.org/10.18860/jia.v8i2.20706
Primary Topic
Architecture and Cultural Influences
Type
article
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article

Iconography and Tolerance Values in the Ornaments of Astana Mosque Jepara

Moh Rosyid, Lina Kushidayati, Sukron Ma’mun
Journal of Islamic Architecture
Architecture and Cultural Influences
article

Iconography and Tolerance Values in the Ornaments of Astana Mosque Jepara

Moh Rosyid, Lina Kushidayati, Sukron Ma’mun
article en

Abstract

The manuscript aims to identify the meanings of the ornaments of Sultan Hadirin Astana Mosque in Mantingan Village, Tahunan Sub-District, Jepara Regency. The Mosque built by Ratu Kalinyamat and Sultan Hadirin in the 16th Century in Jepara was studied by iconographical theory. An observation and a literary study collected the data and descriptively described it. The research study showed that the Astana Mosque has peculiarities in the form of ornaments stuck to the Mosque's fence. The ornaments contain Hindu pre-Islamic, Chinese, and Jepara local indigenous ornaments, which have been conserved until now. The craftsmanship of the citizen of Jepara City, popularly known as a city of carving, was inspired by their ancestors. However, Muslim artists have taken a middle course by stylizing ornament forms contrary to Islamic Sharia, which do not change the substance, for example, the models of animals and humans. It showed the realization of a cultural tolerance model (craft art) necessary to be the role model of a cultured generation.

Journal of Islamic ArchitectureVol. 8(2)
IAIN Kudus (ID), Western Sydney University (AU)
Sustainable cities and communities
Openalex Percentile: Top 58%
Architecture and Cultural Influences
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