Performing Musical Activity in the Context of Metaecological Reflection

The multiplicity of performance paradigms is a characteristic of postmodern symbiosis in musical art, particularly in performance. The non-classical system of preserving the integrity of cultural creation actualizes metaphysical principles, forms a system of adaptation to the communicative environment as a prediction of the future and at the same time the constitution of the desired past. The purpose of the article is to define the phenomenon of cultural genesis of modern performing art in music as a synthesis of genre and style guidelines that acquire the meaning of performing paradigms of musical poetics. The research methodology is determined by comparative and systemic approaches, which helps to conduct a comparative analysis of the phenomenon of systemic integrity of performance in music. Performing arts acquires syntheticism, which is carried out on the basis of the latest aesthetic dimensions of cultural creation. Interpreters of musical syntheses widely use the methods of structural linguistics, build semiotic models of musical symbolic systems. A complex system of synthetic types of various types of art is being developed, starting with sign language and ending with such phenomena as sampling, sonorics, aleatorics, etc. Therefore, the communicative space of culture and the communicative space of musical performance is interpreted as a text where the man-made component is actively involved, and an extremely powerful complex of music related to instrumentalism is developed. Genre and style syntheses open up new opportunities for culture-creating paradigms, which are connected with the use of natural artifacts in music. It is a genetic algorithm as a certain tool for experiments in nature’s laboratory. In the musical space, there is a deep musical element, its cosmologism is revealed by transferring traditional intonation to the rank of artistic realities, which lead to the acquisition of the new space of music making.