Subalternity dan unhomeliness dalam cerpen The Arrangers of Marriage karya Chimamanda Ngozi Adichie

As a black Nigerian woman who married an immigrant, Chinaza from The Arrangers of Marriage (2009) short story had to go to the United States of America and live with her husband. Being in an unfamiliar environment made her feel isolated, especially with her marriage being an arrangement in which she had no say. This research aims to reveal Chinaza’s lack of agency in gaining her voice and how it affects her alienation in a new environment. By using a qualitative descriptive method, this research applies a postcolonial approach with the help of Gayatri Spivak’s subaltern and Homi Bhabha’s unhomeliness concept. The results show that Chinaza is a subaltern who is silenced and marginalized in both her patriarchal family and her new environment in the United States. In addition, her new life in a foreign country made her feel confined between two cultures, which couldn’t seem to accept her nor was she able to accept completely. The feeling of “unhomely” that Chinaza experienced was not solely caused by living in a foreign country, but also because of her husband urging her to abandon her culture.

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Publication Details

Journal
DIGLOSIA Jurnal Kajian Bahasa Sastra dan Pengajarannya
Published
2024-11-13
DOI
https://doi.org/10.30872/diglosia.v7i4.1066
Primary Topic
Gender and Women's Rights
Type
article
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article

Subalternity dan unhomeliness dalam cerpen The Arrangers of Marriage karya Chimamanda Ngozi Adichie

Syarifah Fairuz Shafira Alaydrus, Asri Saraswati
DIGLOSIA Jurnal Kajian Bahasa Sastra dan Pengajarannya
Gender and Women's Rights
article

Subalternity dan unhomeliness dalam cerpen The Arrangers of Marriage karya Chimamanda Ngozi Adichie

Syarifah Fairuz Shafira Alaydrus, Asri Saraswati
article en

Abstract

As a black Nigerian woman who married an immigrant, Chinaza from The Arrangers of Marriage (2009) short story had to go to the United States of America and live with her husband. Being in an unfamiliar environment made her feel isolated, especially with her marriage being an arrangement in which she had no say. This research aims to reveal Chinaza’s lack of agency in gaining her voice and how it affects her alienation in a new environment. By using a qualitative descriptive method, this research applies a postcolonial approach with the help of Gayatri Spivak’s subaltern and Homi Bhabha’s unhomeliness concept. The results show that Chinaza is a subaltern who is silenced and marginalized in both her patriarchal family and her new environment in the United States. In addition, her new life in a foreign country made her feel confined between two cultures, which couldn’t seem to accept her nor was she able to accept completely. The feeling of “unhomely” that Chinaza experienced was not solely caused by living in a foreign country, but also because of her husband urging her to abandon her culture.

DIGLOSIA Jurnal Kajian Bahasa Sastra dan PengajarannyaVol. 7(4)
University of Indonesia (ID)
Openalex Percentile: Top 60%
Gender and Women's Rights
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Subalternity dan unhomeliness dalam cerpen The Arrangers of Marriage karya Chimamanda Ngozi Adichie — Syarifah Fairuz Shafira Alaydrus, Asri Saraswati · DIGLOSIA Jurnal Kajian Bahasa Sastra dan Pengajarannya (2024) | TGRS Research Map | TGRS