Simulated Interiors

This essay explores the complex theoretical and psychological landscape surrounding the digital interiors within the The Sims video games. The Sims is a popular life-simulation video game, first released in 2001 by Maxis with several sequels and hundreds of additional content packs produced by EA Games. The distinctly ‘unbuilt’ and ‘unbuildable’ interiors within the digital world of The Sims are seen to have a strong emotional and atmospheric pull, consequent to the insecurities inherent in contemporary housing markets. The essay aims to reveal cross-pollinations or ‘leakages’ between The Sims interiors and the volatile, financialised interiors typically occupied by the contemporary subject. It does so through both theoretical discussion and a more narrative interrogation based on the conflict between the author’s real-life eviction from their house in Sydney, Australia, resultant from a current housing crisis, and their construction of a virtual simulation of their once-home. This essay comes to find that these ‘leakages’ may be a mechanism through which we might elaborate our understanding of, and relationship to, interiors in our increasingly digitised and mediatised present. It argues that life simulation games like The Sims may impact, or have impacted, user and inhabitant perceptions of the secure interior, and may act as proxy-interiors in the face of housing crises.