Local aspect in Ukrainian dance as a factor of individualization of the choreographic language

Today, trends in the development of national dance have become guiding in the aspect of choreographic theory and practice, first of all, the figurative world of dance, which is interpreted by scientists at the level of a “fresh” scientific lacuna — choreology. It notes the latest peculiarities in the presentation of a dance image. They are the background for the generation of the latest state and functioning of this area — individualization, which is a state-of-the-art figurative visual-sensual aesthetic phenomenon, in the body and form of which the multi-colored palette of choreographic art is combined — from the director’s staging message to the presentation of the modern language of choreography. The purpose of this study is to reveal the main trends in the art of choreography, which are inherent in its domestic content and form, with the highlighting of individualized characteristics and qualitative and quantitative indicators that distinguish local features of dance, considered in the context of the development of the language of choreography. The methodology is based on both general logical and general scientific principles, approaches, methods that have been developed in the field of cultural studies, and approaches and methods that are important in the system of choreology and choreography, contribute to the full disclosure of the research issues, — on historical, cultural comparative, semiotic and hermeneutic, that their application allows to systematically master modern scientific and popular science approaches to the study of dance as a cultural phenomenon, as a subject of ethnography, ethnochoreology, etc. The conclusions of the research prove its relevance at the time of the integration of traditional Ukrainian dance with the best world examples, highlight the relationship between traditional local aspects of its historical and cultural genesis, considered at the level of ethnography, mental choreography, and modernizations in its content and form, expressed in the set of its individualized images. The scientific novelty of the study is revealed as a re-sult of the involvement of modern approaches to the study of the genesis and development of Ukrainian dance, the latest vision of the individuality of the language of dance through its correlation with historical-cultural ethnic regional-locative features, the creation of national dance, modern trends, in particular in the field, directorial innovations that contribute multifaceted search for its newest elements, considered from the standpoint of modern choreography and chorology. The practical significance of the article is the use of information about the peculiarities of the local aspect in the national stage dance, as a factor in the individualization of the national choreographic language in the process of creating a choreographic production.