The rhythm of horse gaits

What makes animal gaits so audibly rhythmic? To answer this question, we recorded the footfall sound of 19 horses and quantified the rhythmic differences in the temporal structure of three natural gaits: walk, trot, and canter. Our analyses show that each gait displays a strikingly specific rhythmic pattern and that all gaits are organized according to small-integer ratios, those found when adjacent temporal intervals are related by a mathematically simple relationship of integer numbers. Walk and trot exhibit an isochronous structure (1:1)-similar to a ticking clock-while canter is characterized by three small-integer ratios (1:1, 1:2, 2:1). While walk and trot both show isochrony, trot has a slower tempo and is more precise and accurate, like a metronome. Our results quantitatively discriminate horse gaits based on rhythm, revealing striking commonalities with human music and some animal communicative signals. Gait and vocal rhythmicity share key features, and the former likely predates the latter; we suggest this supports gait-based hypotheses for the evolution of rhythm. Specifically, the perception of locomotor rhythmicity may have evolved in different species under pressure for predator recognition and mate selection; it may have been later exapted for rhythmic vocal communication.

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Publication Details

Journal
Annals of the New York Academy of Sciences
Published
2024-12-28
DOI
https://doi.org/10.1111/nyas.15271
Citations
6
Primary Topic
Robotic Locomotion and Control
Type
article
Field-Weighted Citation Impact
1.11

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article

The rhythm of horse gaits

Eleonora Pagliara, Marco Gamba, Andrea Bertuglia, Andrea Ravignani et al.
6 citations
Annals of the New York Academy of Sciences
Robotic Locomotion and Control
1.11
article

The rhythm of horse gaits

Eleonora Pagliara, Marco Gamba, Andrea Bertuglia, Andrea Ravignani, Elodie F. Briefer, Teresa Raimondi, Claudio Ferrante, Lia Laffi
article en
6 citations

Abstract

What makes animal gaits so audibly rhythmic? To answer this question, we recorded the footfall sound of 19 horses and quantified the rhythmic differences in the temporal structure of three natural gaits: walk, trot, and canter. Our analyses show that each gait displays a strikingly specific rhythmic pattern and that all gaits are organized according to small-integer ratios, those found when adjacent temporal intervals are related by a mathematically simple relationship of integer numbers. Walk and trot exhibit an isochronous structure (1:1)-similar to a ticking clock-while canter is characterized by three small-integer ratios (1:1, 1:2, 2:1). While walk and trot both show isochrony, trot has a slower tempo and is more precise and accurate, like a metronome. Our results quantitatively discriminate horse gaits based on rhythm, revealing striking commonalities with human music and some animal communicative signals. Gait and vocal rhythmicity share key features, and the former likely predates the latter; we suggest this supports gait-based hypotheses for the evolution of rhythm. Specifically, the perception of locomotor rhythmicity may have evolved in different species under pressure for predator recognition and mate selection; it may have been later exapted for rhythmic vocal communication.

Annals of the New York Academy of SciencesVol. 1543(1)
University of Copenhagen (DK), Aarhus University (DK), Health First (US), Royal Academy of Music (DK), University of Turin (IT), Sapienza University of Rome (IT)
European Commission, Human Frontier Science Program, National Research Foundation, Danmarks Grundforskningsfond, HORIZON EUROPE Framework Programme, HORIZON EUROPE European Research Council
Reduced inequalities
Openalex Percentile: Top 24%
Robotic Locomotion and Control
1.11
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