Intersectionality and the Construction of Humour in Contemporary Stand-up Comedy

As an autobiographical mode of performance, stand-up comedy is interlinked with debates on identity, inequality and social justice. While much of the existing stand-up comedy and identity literature has prioritised the analysis of a single axis of identity, this study significantly extends existing analysis to examine intersectionality in stand-up comedy. Taking an innovative interdisciplinary theoretical approach derived from humour studies and cultural studies, we explore how intersectionality is involved in the construction of humour in contemporary stand-up comedy. Via a rigorous thematic analysis, we analyse the comedic material of three contemporary stand-up comedians on Netflix – Jimmy Carr, Dave Chappelle and Hannah Gadsby. We examine the intersections of their identities in terms of the representation of inequalities, privilege, discrimination and prejudice. Analysis reveals three key themes demonstrated by Carr, Chappelle and Gadsby that illuminate an original understanding of the relationship between identity, intersectionality and humour. These themes concern: 1) intersecting race, gender and sexuality; 2) depicting gendered violence; and 3) intersectional differences in the uses of disclaimers through which comedy is defended.

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Publication Details

Journal
European Journal of Cultural Studies
Published
2024-12-27
DOI
https://doi.org/10.1177/13675494241294156
Citations
4
Primary Topic
Humor Studies and Applications
Type
article
Field-Weighted Citation Impact
2.57
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article

Intersectionality and the Construction of Humour in Contemporary Stand-up Comedy

Simon Weaver, Sharon Lockyer
4 citations
European Journal of Cultural Studies
Humor Studies and Applications
2.57
article

Intersectionality and the Construction of Humour in Contemporary Stand-up Comedy

Simon Weaver, Sharon Lockyer
article en
4 citations

Abstract

As an autobiographical mode of performance, stand-up comedy is interlinked with debates on identity, inequality and social justice. While much of the existing stand-up comedy and identity literature has prioritised the analysis of a single axis of identity, this study significantly extends existing analysis to examine intersectionality in stand-up comedy. Taking an innovative interdisciplinary theoretical approach derived from humour studies and cultural studies, we explore how intersectionality is involved in the construction of humour in contemporary stand-up comedy. Via a rigorous thematic analysis, we analyse the comedic material of three contemporary stand-up comedians on Netflix – Jimmy Carr, Dave Chappelle and Hannah Gadsby. We examine the intersections of their identities in terms of the representation of inequalities, privilege, discrimination and prejudice. Analysis reveals three key themes demonstrated by Carr, Chappelle and Gadsby that illuminate an original understanding of the relationship between identity, intersectionality and humour. These themes concern: 1) intersecting race, gender and sexuality; 2) depicting gendered violence; and 3) intersectional differences in the uses of disclaimers through which comedy is defended.

European Journal of Cultural StudiesVol. 28(6)
University of London (GB), Brunel University of London (GB)
Gender equality
Openalex Percentile: Top 10%
Humor Studies and Applications
2.57
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