“Clearly, Carefully and Precisely”: On Music in the Constitutions of the Order of Saint Paul the First Hermit from the 17th and 18th Centuries

From the very beginning of the Order of Saint Paul the First Hermit, music was the object of particular concern of the Pauline Fathers, which has been reflected in the monastic constitutions. Three of them are the title sources of the article, the aim of which is to present references to music contained in the Pauline constitutions from 1636, 1643 and 1725, compare them and draw conclusions on the codification of music in these constitutions. The text is divided into three main parts, respectively, to three editions of the constitutions. All the sources examined prove that the codification of music in the Pauline Order was characterized by detail and rigor in regulating singing, postures, participation in vocal exercises and the selection of the liturgical repertoire. Marian piety was a special principle that organized the liturgical and musical regulations contained in the Pauline constitutions.

Authors

Institutions

Publication Details

Journal
Roczniki Humanistyczne
Published
2024-12-27
DOI
https://doi.org/10.18290/rh247212.15
Citations
1
Primary Topic
Reformation and Early Modern Christianity
Type
article
Field-Weighted Citation Impact
10.36
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

“Clearly, Carefully and Precisely”: On Music in the Constitutions of the Order of Saint Paul the First Hermit from the 17th and 18th Centuries

Michał Jędrzejski
1 citations
Roczniki Humanistyczne
Reformation and Early Modern Christianity
10.36
article

“Clearly, Carefully and Precisely”: On Music in the Constitutions of the Order of Saint Paul the First Hermit from the 17th and 18th Centuries

Michał Jędrzejski
article en
1 citations

Abstract

From the very beginning of the Order of Saint Paul the First Hermit, music was the object of particular concern of the Pauline Fathers, which has been reflected in the monastic constitutions. Three of them are the title sources of the article, the aim of which is to present references to music contained in the Pauline constitutions from 1636, 1643 and 1725, compare them and draw conclusions on the codification of music in these constitutions. The text is divided into three main parts, respectively, to three editions of the constitutions. All the sources examined prove that the codification of music in the Pauline Order was characterized by detail and rigor in regulating singing, postures, participation in vocal exercises and the selection of the liturgical repertoire. Marian piety was a special principle that organized the liturgical and musical regulations contained in the Pauline constitutions.

Roczniki HumanistyczneVol. 72(12)
John Paul II Catholic University of Lublin (PL)
Peace, Justice and strong institutions
Openalex Percentile: Top 2%
Reformation and Early Modern Christianity
10.36
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

“Clearly, Carefully and Precisely”: On Music in the Constitutions of the Order of Saint Paul the First Hermit from the 17th and 18th Centuries — Michał Jędrzejski · Roczniki Humanistyczne (2024) | TGRS Research Map | TGRS