An Issue Study on Artist Collective’s Non-Hierarchical Engagement and Collaboration: Focusing on the Turner Prizes

This study examines the recent rise of socially engaged art projects by artist collectives in the institutional art world and discusses the issues of artistic expertise and authorship raised in their non-hierarchical artistic processes. Artist collectives are non-formal artistic groups formed by experts from various fields, including art, who pursue common ideological and aesthetic values. While these collectives have a significant impact on seeking social change with marginalized groups or local communities amid ongoing conflicts and crises around the world, their collaborative approach, which aims for democracy and egalitarianism, raises concerns about artistic expertise and authorship. This study analyzes the concept, characteristics, major cases, and trends of socially engaged art, and examines the Turner Prize-winning projects at the center of the debate, drawing implications for the issues raised in the projects of artist collectives. Assemble, the 2015 Turner Prize winner, and Array Collective, the 2021 winner, are both recognized for their artistic critical ability to change the economic or political paradigms of their respective regions. The social changes that Assemble and Array Collective pursued with local residents stemmed from critical reflection on existing social structures. Assemble’s project can be seen as creative in that it created a sustainable economic revenue model through art activities led by local residents. Array Collective’s project has artistic value in that it served as a starting point for transforming the marching culture that fueled conflict in Northern Ireland into a culture for the socially marginalized. The driving force behind the social practices of Assemble and Array Collective lies in the collaboration between the collective and local residents, which allows them to sustain joint projects. T he fact that their influence can only take root in the local community through the participation of local residents may explain why artist collectives transfer authorship. This study provides an understanding of the current state and issues of socially engaged art, and is expected to provide an opportunity for our society to pay attention to the social and artistic discourse produced by artist collectives and to reflect on the sustainable direction for the future.

Authors

Publication Details

Journal
Korean Arts Association of Arts Management
Published
2024-11-30
DOI
https://doi.org/10.52564/jamp.2024.72.39
Primary Topic
Cultural Industries and Urban Development
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

An Issue Study on Artist Collective’s Non-Hierarchical Engagement and Collaboration: Focusing on the Turner Prizes

Min A Lee
Korean Arts Association of Arts Management
Cultural Industries and Urban Development
article

An Issue Study on Artist Collective’s Non-Hierarchical Engagement and Collaboration: Focusing on the Turner Prizes

Min A Lee
article en

Abstract

This study examines the recent rise of socially engaged art projects by artist collectives in the institutional art world and discusses the issues of artistic expertise and authorship raised in their non-hierarchical artistic processes. Artist collectives are non-formal artistic groups formed by experts from various fields, including art, who pursue common ideological and aesthetic values. While these collectives have a significant impact on seeking social change with marginalized groups or local communities amid ongoing conflicts and crises around the world, their collaborative approach, which aims for democracy and egalitarianism, raises concerns about artistic expertise and authorship. This study analyzes the concept, characteristics, major cases, and trends of socially engaged art, and examines the Turner Prize-winning projects at the center of the debate, drawing implications for the issues raised in the projects of artist collectives. Assemble, the 2015 Turner Prize winner, and Array Collective, the 2021 winner, are both recognized for their artistic critical ability to change the economic or political paradigms of their respective regions. The social changes that Assemble and Array Collective pursued with local residents stemmed from critical reflection on existing social structures. Assemble’s project can be seen as creative in that it created a sustainable economic revenue model through art activities led by local residents. Array Collective’s project has artistic value in that it served as a starting point for transforming the marching culture that fueled conflict in Northern Ireland into a culture for the socially marginalized. The driving force behind the social practices of Assemble and Array Collective lies in the collaboration between the collective and local residents, which allows them to sustain joint projects. T he fact that their influence can only take root in the local community through the participation of local residents may explain why artist collectives transfer authorship. This study provides an understanding of the current state and issues of socially engaged art, and is expected to provide an opportunity for our society to pay attention to the social and artistic discourse produced by artist collectives and to reflect on the sustainable direction for the future.

Korean Arts Association of Arts ManagementVol. 72
Openalex Percentile: Top 58%
Cultural Industries and Urban Development
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.