European Girl Travelling across China: The Reception History of Little Red Riding Hood in China from the Perspective of the Variation Theory

The European fairy tale, Little Red Riding Hood (LRRH), was first introduced into China in 1909. Over the next half-century, several translations and adaptations had emerged. Based on the original story, these new versions displayed conspicuous Eastern characteristics, including Confucian ethics, enlightenment thoughts and nationalism. Using the variation theory of comparative literature, this paper reviews the reception history of LRRH in China and analyzes the concomitant variations. We argue that the reception of Western fairy tales in modern China was not a simple translation on the linguistic level but an innovative re-creation based on the historical context, traditional culture and realistic needs. Chinese intellectuals never thought the perception of Western civilization was a passive one-direction process. In fact, they showcased initiative at every step and utilized the West as an intermediary to launch revolutions.

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Publication Details

Published
2024-12-18
DOI
https://doi.org/10.62119/icla.2.8432
Primary Topic
Folklore, Mythology, and Literature Studies
Type
article
Field-Weighted Citation Impact
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article

European Girl Travelling across China: The Reception History of Little Red Riding Hood in China from the Perspective of the Variation Theory

Weirong Zhao, Yufan Che
Folklore, Mythology, and Literature Studies
article

European Girl Travelling across China: The Reception History of Little Red Riding Hood in China from the Perspective of the Variation Theory

Weirong Zhao, Yufan Che
article en

Abstract

The European fairy tale, Little Red Riding Hood (LRRH), was first introduced into China in 1909. Over the next half-century, several translations and adaptations had emerged. Based on the original story, these new versions displayed conspicuous Eastern characteristics, including Confucian ethics, enlightenment thoughts and nationalism. Using the variation theory of comparative literature, this paper reviews the reception history of LRRH in China and analyzes the concomitant variations. We argue that the reception of Western fairy tales in modern China was not a simple translation on the linguistic level but an innovative re-creation based on the historical context, traditional culture and realistic needs. Chinese intellectuals never thought the perception of Western civilization was a passive one-direction process. In fact, they showcased initiative at every step and utilized the West as an intermediary to launch revolutions.

University of Arizona (US), Sichuan University (CN)
Openalex Percentile: Top 63%
Folklore, Mythology, and Literature Studies
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