Open Access Publication of the Historical Sound Recordings of the Berlin Phonogramm-Archiv

This paper argues in favor of an open access publication of the holdings of the Berlin Phonogramm-Archiv, which have so far received little attention from lawyers despite their status as World Documentary Heritage. Firstly, it is argued that the public international legal obligations of Germany under the Convention for the Safeguarding of the Intangible Cultural Heritage which require efforts to preserve intangible cultural heritage and make it accessible, are indirectly relevant for the historical sound recordings. Secondly, making the historical sound recordings accessible through digitization is – in addition to the legal perspective – a cultural-ethical imperative in the restitution debate. Read together, it seems that the open access publication of the historical sound recordings would be a pragmatic way to address both the legal and ethical perspectives.

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Publication Details

Journal
˜The œworld of music/˜Theœ world of music
Published
2024-12-23
DOI
https://doi.org/10.59998/2024-13-2-1885
Citations
1
Primary Topic
Musicology and Musical Analysis
Type
article
Field-Weighted Citation Impact
5.21
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article

Open Access Publication of the Historical Sound Recordings of the Berlin Phonogramm-Archiv

Lando Kirchmair
1 citations
˜The œworld of music/˜Theœ world of music
Musicology and Musical Analysis
5.21
article

Open Access Publication of the Historical Sound Recordings of the Berlin Phonogramm-Archiv

Lando Kirchmair
article en
1 citations

Abstract

This paper argues in favor of an open access publication of the holdings of the Berlin Phonogramm-Archiv, which have so far received little attention from lawyers despite their status as World Documentary Heritage. Firstly, it is argued that the public international legal obligations of Germany under the Convention for the Safeguarding of the Intangible Cultural Heritage which require efforts to preserve intangible cultural heritage and make it accessible, are indirectly relevant for the historical sound recordings. Secondly, making the historical sound recordings accessible through digitization is – in addition to the legal perspective – a cultural-ethical imperative in the restitution debate. Read together, it seems that the open access publication of the historical sound recordings would be a pragmatic way to address both the legal and ethical perspectives.

˜The œworld of music/˜Theœ world of musicVol. 13(2)
Universität der Bundeswehr München (DE)
Openalex Percentile: Top 5%
Musicology and Musical Analysis
5.21
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Open Access Publication of the Historical Sound Recordings of the Berlin Phonogramm-Archiv — Lando Kirchmair · ˜The œworld of music/˜Theœ world of music (2024) | TGRS Research Map | TGRS