Should they learn to know it first? On the role of critical interpretation and critique in introductory engineering design education

Engineering education at the university level typically includes a first-year course on engineering design. While critical interpretation skills are involved in teaching the design process, those skills themselves are not a main focus, or considered prerequisite to design learning. Other creative fields—including architecture, drama and creative writing—expect students to have experience interpreting and critiquing their art form before they begin creating at a university level. Based on experience teaching first year engineering design, our students are far less likely to have that experience. We investigate the impact of that gap, establish a basis for further research and gain a more coherent picture of how engineering design education compares to other creative fields, in particular as regards the role of critical interpretation and the related practice of critique.

Authors

Institutions

Publication Details

Journal
Proceedings of the Canadian Engineering Education Association (CEEA)
Published
2024-12-20
DOI
https://doi.org/10.24908/pceea.2024.18608
Primary Topic
Engineering Education and Curriculum Development
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Should they learn to know it first? On the role of critical interpretation and critique in introductory engineering design education

Lydia Wilkinson, Benjamin Kinsella, John C. Pooley, Edmund Martin Nolan
Proceedings of the Canadian Engineering Education Association (CEEA)
Engineering Education and Curriculum Development
article

Should they learn to know it first? On the role of critical interpretation and critique in introductory engineering design education

Lydia Wilkinson, Benjamin Kinsella, John C. Pooley, Edmund Martin Nolan
article en

Abstract

Engineering education at the university level typically includes a first-year course on engineering design. While critical interpretation skills are involved in teaching the design process, those skills themselves are not a main focus, or considered prerequisite to design learning. Other creative fields—including architecture, drama and creative writing—expect students to have experience interpreting and critiquing their art form before they begin creating at a university level. Based on experience teaching first year engineering design, our students are far less likely to have that experience. We investigate the impact of that gap, establish a basis for further research and gain a more coherent picture of how engineering design education compares to other creative fields, in particular as regards the role of critical interpretation and the related practice of critique.

Proceedings of the Canadian Engineering Education Association (CEEA)
University of Toronto (CA)
Quality Education
Openalex Percentile: Top 60%
Engineering Education and Curriculum Development
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.