RECONFIGURATION OF WOMEN IN THE AFRICAN NOVEL

The oppression of women has been a salient feature of societies across the globe. Consequently, there has been a continuous effort to write liberation literature to emancipate women from the yoke of patriarchal thought. This paper examines the gender politics articulated by selected authors. The novels have been identified to survey the plight of women in three geographical locations; East, West and South Africa. The aim of this research is to reveal that these writers (re)place the selected female characters in an attempt to subvert the historical conditions of women in African societies. The study reads Ngugi wa Thiong’o’s political women in Matigari (1987), Petals of Blood (1977), A Grain of Wheat (1967), Tsitsi Dangarembga’s women conditions in Nervous Conditions (1988), Mariama Bâ’s resolute Muslim woman in So Long a Letter (1986), and Ousmane Sembène’s bits of women in God’s Bits of Wood (1962). This study concludes that these texts succeed in reconfiguring the woman through subversive strategies.

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Publication Details

Journal
Global Journal of Humanities and Social Sciences
Published
2024-12-21
DOI
https://doi.org/10.55640/gjhss/volume03issue12-03
Primary Topic
African history and culture studies
Type
article
Field-Weighted Citation Impact
0.00
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article

RECONFIGURATION OF WOMEN IN THE AFRICAN NOVEL

Lester Mwetu, Ahmed Osman Warfa, Fatha Abdirahman
Global Journal of Humanities and Social Sciences
African history and culture studies
article

RECONFIGURATION OF WOMEN IN THE AFRICAN NOVEL

Lester Mwetu, Ahmed Osman Warfa, Fatha Abdirahman
article en

Abstract

The oppression of women has been a salient feature of societies across the globe. Consequently, there has been a continuous effort to write liberation literature to emancipate women from the yoke of patriarchal thought. This paper examines the gender politics articulated by selected authors. The novels have been identified to survey the plight of women in three geographical locations; East, West and South Africa. The aim of this research is to reveal that these writers (re)place the selected female characters in an attempt to subvert the historical conditions of women in African societies. The study reads Ngugi wa Thiong’o’s political women in Matigari (1987), Petals of Blood (1977), A Grain of Wheat (1967), Tsitsi Dangarembga’s women conditions in Nervous Conditions (1988), Mariama Bâ’s resolute Muslim woman in So Long a Letter (1986), and Ousmane Sembène’s bits of women in God’s Bits of Wood (1962). This study concludes that these texts succeed in reconfiguring the woman through subversive strategies.

Global Journal of Humanities and Social SciencesVol. 03(12)
Gender equality
Openalex Percentile: Top 64%
African history and culture studies
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