Victorian Transfictions and Transmedia Storytelling

The introduction to this special issue of the Victorian Popular Fictions Journal, “Victorian Transfictions and Transmedia Storytelling,” reviews the state of the field of transmedia studies, and differentiates between commonly conflated terms, such as transmedia and adaptation. It argues that Victorian popular fiction lends itself particularly well to investigation through the concepts of transmediality and transfictionality. The production of popular fictions across the period was dominated by practices of recycling and seriality, and the flow of stories and characters across all kinds of creative and commercial outputs was unstoppable. The introduction identifies the contributions that this issue’s articles make to the fields of transmedia and popular fiction studies and invites further scholarship that, like ours, seeks to understand the rich field of nineteenth-century popular culture through transmedial lenses.

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Publication Details

Journal
Victorian Popular Fictions Journal
Published
2024-12-21
DOI
https://doi.org/10.46911/bmzc4098
Primary Topic
Contemporary Literature and Criticism
Type
article
Field-Weighted Citation Impact
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article

Victorian Transfictions and Transmedia Storytelling

Erica Haugtvedt, Beth Palmer
Victorian Popular Fictions Journal
Contemporary Literature and Criticism
article

Victorian Transfictions and Transmedia Storytelling

Erica Haugtvedt, Beth Palmer
article en

Abstract

The introduction to this special issue of the Victorian Popular Fictions Journal, “Victorian Transfictions and Transmedia Storytelling,” reviews the state of the field of transmedia studies, and differentiates between commonly conflated terms, such as transmedia and adaptation. It argues that Victorian popular fiction lends itself particularly well to investigation through the concepts of transmediality and transfictionality. The production of popular fictions across the period was dominated by practices of recycling and seriality, and the flow of stories and characters across all kinds of creative and commercial outputs was unstoppable. The introduction identifies the contributions that this issue’s articles make to the fields of transmedia and popular fiction studies and invites further scholarship that, like ours, seeks to understand the rich field of nineteenth-century popular culture through transmedial lenses.

Victorian Popular Fictions JournalVol. 6(2)
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Contemporary Literature and Criticism
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