Neo-Victorian Transmedia Storyworlds interview

Arnold Schmidt, writer and director of the Tales from the Penny Bloods podcast series, offers insights from himself and his team into the makings of a podcast series. Processes of selection and adaptation are discussed and the project is theorised in relation to transmedia storytelling. Tales from the Penny Bloods provides points of access to Victorian adaptations across visual, textual and aural media, and can enhance our pedagogical interventions with Victorian popular culture. The interview makes a case for the continuing importance of the Penny Blood, particularly as adapted and re-formatted for a twenty-first century listener.

Authors

Publication Details

Journal
Victorian Popular Fictions Journal
Published
2024-12-21
DOI
https://doi.org/10.46911/uacv8246
Primary Topic
Radio, Podcasts, and Digital Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Neo-Victorian Transmedia Storyworlds interview

Erica Haugtvedt, Beth Palmer, Rebecca Nesvet, Arnold Anthony Schmidt
Victorian Popular Fictions Journal
Radio, Podcasts, and Digital Media
article

Neo-Victorian Transmedia Storyworlds interview

Erica Haugtvedt, Beth Palmer, Rebecca Nesvet, Arnold Anthony Schmidt
article en

Abstract

Arnold Schmidt, writer and director of the Tales from the Penny Bloods podcast series, offers insights from himself and his team into the makings of a podcast series. Processes of selection and adaptation are discussed and the project is theorised in relation to transmedia storytelling. Tales from the Penny Bloods provides points of access to Victorian adaptations across visual, textual and aural media, and can enhance our pedagogical interventions with Victorian popular culture. The interview makes a case for the continuing importance of the Penny Blood, particularly as adapted and re-formatted for a twenty-first century listener.

Victorian Popular Fictions JournalVol. 6(2)
Quality Education
Openalex Percentile: Top 68%
Radio, Podcasts, and Digital Media
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