Other-than-Human Perspectives on <i>Écosystème(s)</i>: Towards an ecosemiotic approach to sound and media art

Sound and new media arts appear to be both historical and contemporary means to invest in the notion of more-than-human. Although the concept was formulated in the late 1990s (Abram 1996), certain related practices in art works exploring machine or animal agency have existed since the 1960s, especially in new media arts using sound, video, and electronic and computational technologies.