Bookbinding and the Look of the Romantic-Era Novel

Abstract: The transition from buying books unbound or temporarily bound to buying them already bound represents a fundamental turning point in literary history, yet bookbinding's influence on the novel remains underexplored. This essay challenges two "truths" about the novel's material forms: first, that most Romantic-era readers would have purchased novels in unbound sheets or temporary board bindings, and second, that most historical readers would have viewed board bindings as "temporary." Using quantitative analysis of available datasets and bibliographic research on hundreds of volumes in their original bindings, the essay argues that novels were marketed to readers as ready-bound objects much earlier than is commonly understood.

Authors

Publication Details

Journal
Studies in the novel
Published
2024-12-01
DOI
https://doi.org/10.1353/sdn.2024.a947997
Primary Topic
Digital Humanities and Scholarship
Type
article
Field-Weighted Citation Impact
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article

Bookbinding and the Look of the Romantic-Era Novel

Lindsey Eckert
Studies in the novel
Digital Humanities and Scholarship
article

Bookbinding and the Look of the Romantic-Era Novel

Lindsey Eckert
article en

Abstract

Abstract: The transition from buying books unbound or temporarily bound to buying them already bound represents a fundamental turning point in literary history, yet bookbinding's influence on the novel remains underexplored. This essay challenges two "truths" about the novel's material forms: first, that most Romantic-era readers would have purchased novels in unbound sheets or temporary board bindings, and second, that most historical readers would have viewed board bindings as "temporary." Using quantitative analysis of available datasets and bibliographic research on hundreds of volumes in their original bindings, the essay argues that novels were marketed to readers as ready-bound objects much earlier than is commonly understood.

Studies in the novelVol. 56(4)
Openalex Percentile: Top 64%
Digital Humanities and Scholarship
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