Skeptimentality: The Square and the Aesthetics of Complicity

In this article, I offer the notion of “skeptimentality” as a framework for thinking about the strikingly transmuted character of the noble moral sentiments (sympathy, empathy, benevolence, compassion, care, and pity) in the privilege-sensitive public culture of contemporary Scandinavia. Skeptimentality is my term for the sense that there is something morally embarrassing about the moral sentiments. I bring into play insights from feminist studies of sentimental sympathy as mediating factor in gender, race, and class-relations in order to highlight the extent to which skeptimentality differs from sentimentality and the aesthetic of sympathy we associate with it. The latter part of the essay develops further the notion of skeptimentality through an analysis of Swedish director Ruben Östlund’s award-winning feature film The Square (2017). As an aesthetic mode, skeptimentality has its own tropes, which often take an explicitly critical position on sentimental ones; it is, I submit, an aesthetic not of sympathy, but of complicity.