Comparative Analysis: Interpretations of Mozart’s Piano Sonata K. 333 by Glenn Gould and Mitsuko Uchida

This article conducts a comparative analysis between two renowned pianists, Glenn Gould, and Mitsuko Uchida, on their interpretations of the first movement of Mozart's Piano Sonata No. 13 in B flat major, KV 333. With advancements in recording technology, it is now possible to analyze diverse renditions of classical music pieces. The study references the clean and minimally annotated Henle Urtext edition to discuss the nuances and performances of each artist, taking into account their individual backgrounds. The decision to use Henle's edition underscores the importance of closely adhering to the composer's original intentions, free from unnecessary dynamic markings or fingering suggestions. This approach enables performers and researchers to concentrate on the composer's score and its intended expression. This comparison not only showcases the unique artistic approaches of Gould and Uchida but also highlights the rich interpretive possibilities inherent in Mozart’s compositions, illustrating how varied performances can capture different facets of the composer’s musical vision.