Straturi epice și lirice din literatura română pornind de la proza scurtă O primblare la munți de V. Alecsandri

Between the two levels of Romanian prose – one folkloric and the other cult –, there is the romantic epic works, in which the narrators, under the charade of calling on to archaic memory, master strategies such as telling a story in a frame, qui-pro-quo and the anticlimax. An example is O primblare la munți [A walk in the mountains] (1844) by V. Alecsandri. The four hikers, leaving in search of a legendary portrait depicting Alexandru Lăpușneanu, which the narrator claims to have known – from undisclosed sources – that was at a monastery founded the Moldavian ruler, go through a series of delays. However, the declared purpose of the trip raises some questions. A key point in the epic development of this short story is the subtle fable about a woman who was attracted by a so-called bear. That allusion helps us to draw a series of remarks about the euphemism on romantic relations in the writings of M. Eminescu, I. Creangă, Ion Barbu, Mihail Sadoveanu and mostly of Hortensia Papadat-Bengescu.

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Publication Details

Journal
Romanian Studies Today
Published
2024-12-19
DOI
https://doi.org/10.62229/rst/8.1/10
Primary Topic
European Cultural and National Identity
Type
article
Field-Weighted Citation Impact
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article

Straturi epice și lirice din literatura română pornind de la proza scurtă O primblare la munți de V. Alecsandri

George-Florian Neagoe
Romanian Studies Today
European Cultural and National Identity
article

Straturi epice și lirice din literatura română pornind de la proza scurtă O primblare la munți de V. Alecsandri

George-Florian Neagoe
article en

Abstract

Between the two levels of Romanian prose – one folkloric and the other cult –, there is the romantic epic works, in which the narrators, under the charade of calling on to archaic memory, master strategies such as telling a story in a frame, qui-pro-quo and the anticlimax. An example is O primblare la munți [A walk in the mountains] (1844) by V. Alecsandri. The four hikers, leaving in search of a legendary portrait depicting Alexandru Lăpușneanu, which the narrator claims to have known – from undisclosed sources – that was at a monastery founded the Moldavian ruler, go through a series of delays. However, the declared purpose of the trip raises some questions. A key point in the epic development of this short story is the subtle fable about a woman who was attracted by a so-called bear. That allusion helps us to draw a series of remarks about the euphemism on romantic relations in the writings of M. Eminescu, I. Creangă, Ion Barbu, Mihail Sadoveanu and mostly of Hortensia Papadat-Bengescu.

Romanian Studies TodayVol. 8(1/2024)
Institut za savremenu istoriju (RS)
Gender equality
Openalex Percentile: Top 62%
European Cultural and National Identity
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