The Role of Italy and UNIDROIT in the Drafting of the First Protocol to the 1954 Hague Convention

This article explores the development of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its First Protocol, key tools for safeguarding cultural objects during wartime. It begins with a historical overview of early 20th-century legal frameworks, focusing on regulations for the transfer and restitution of cultural objects during conflicts. The study delves into the preparatory work for the Convention, highlighting the significant contributions of the Italian delegation and the involvement of UNIDROIT, particularly concerning the study of private international law issues related to good faith acquisitions of cultural objects. The article reveals the extensive yet underappreciated efforts of the Italian delegation, led by the President and Secretary General of UNIDROIT, in shaping the Convention and influencing the protection of cultural objects in the past century. The discussion extends to the aftermath of the 1954 Hague Convention, examining how unresolved issues were later addressed by the 1995 UNIDROIT Convention on Stolen or Illegally Exported Cultural Objects.

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Publication Details

Journal
Santander Art and Culture Law Review
Published
2024-12-18
DOI
https://doi.org/10.4467/2450050xsnr.24.013.20824
Citations
1
Primary Topic
Archaeological Research and Protection
Type
article
Field-Weighted Citation Impact
1.79
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article

The Role of Italy and UNIDROIT in the Drafting of the First Protocol to the 1954 Hague Convention

Giuditta Giardini
1 citations
Santander Art and Culture Law Review
Archaeological Research and Protection
1.79
article

The Role of Italy and UNIDROIT in the Drafting of the First Protocol to the 1954 Hague Convention

Giuditta Giardini
article en
1 citations

Abstract

This article explores the development of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its First Protocol, key tools for safeguarding cultural objects during wartime. It begins with a historical overview of early 20th-century legal frameworks, focusing on regulations for the transfer and restitution of cultural objects during conflicts. The study delves into the preparatory work for the Convention, highlighting the significant contributions of the Italian delegation and the involvement of UNIDROIT, particularly concerning the study of private international law issues related to good faith acquisitions of cultural objects. The article reveals the extensive yet underappreciated efforts of the Italian delegation, led by the President and Secretary General of UNIDROIT, in shaping the Convention and influencing the protection of cultural objects in the past century. The discussion extends to the aftermath of the 1954 Hague Convention, examining how unresolved issues were later addressed by the 1995 UNIDROIT Convention on Stolen or Illegally Exported Cultural Objects.

Santander Art and Culture Law ReviewVol. 10(2)
Università Cattolica del Sacro Cuore (IT)
Peace, Justice and strong institutions
Openalex Percentile: Top 13%
Archaeological Research and Protection
1.79
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The Role of Italy and UNIDROIT in the Drafting of the First Protocol to the 1954 Hague Convention — Giuditta Giardini · Santander Art and Culture Law Review (2024) | TGRS Research Map | TGRS