Teaching artists or live performers? Early careers after a Jazz Master’s graduation in French-speaking Switzerland

This article presents the results of the “Jazz Alumni” survey conducted in 2022 on the career beginnings of the musicians who obtained a jazz master’s degree at HEMU—Haute école de musique in French-speaking Switzerland between 2011 and 2017. Based on a mixed-methods diachronic approach, the study included 45 graduates (38 men and 7 women). Like most performing artists, they experience professional instability and are faced with low incomes compared to their level of training. Our study indicates that jazz graduates predominantly rely on teaching to mitigate the risks associated with the precarious nature of their profession, thereby improving their working conditions and generally avoiding non-musical work. Further findings identify two distinct approaches to balancing teaching and performing. Possible explanations for these different career paths include socialization to different national regulatory regimes and gender inequalities.

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Publication Details

Journal
International Journal of Music Education
Published
2024-12-19
DOI
https://doi.org/10.1177/02557614241306769
Primary Topic
Cultural Industries and Urban Development
Type
article
Field-Weighted Citation Impact
0.00
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article

Teaching artists or live performers? Early careers after a Jazz Master’s graduation in French-speaking Switzerland

Angelika Güsewell, Marc Perrenoud, Marc Audétat, Hélène Widmann
International Journal of Music Education
Cultural Industries and Urban Development
article

Teaching artists or live performers? Early careers after a Jazz Master’s graduation in French-speaking Switzerland

Angelika Güsewell, Marc Perrenoud, Marc Audétat, Hélène Widmann
article en

Abstract

This article presents the results of the “Jazz Alumni” survey conducted in 2022 on the career beginnings of the musicians who obtained a jazz master’s degree at HEMU—Haute école de musique in French-speaking Switzerland between 2011 and 2017. Based on a mixed-methods diachronic approach, the study included 45 graduates (38 men and 7 women). Like most performing artists, they experience professional instability and are faced with low incomes compared to their level of training. Our study indicates that jazz graduates predominantly rely on teaching to mitigate the risks associated with the precarious nature of their profession, thereby improving their working conditions and generally avoiding non-musical work. Further findings identify two distinct approaches to balancing teaching and performing. Possible explanations for these different career paths include socialization to different national regulatory regimes and gender inequalities.

International Journal of Music Education
HES-SO University of Applied Sciences and Arts Western Switzerland (CH), University of Lausanne (CH)
Openalex Percentile: Top 59%
Cultural Industries and Urban Development
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