Material Performances: Heroic Threads in the Crónica de Castilla

Medieval courtly culture often relied on corporeality and materiality to structure its social order and indicate its members’ power and prestige. However, these aspects were rarely integrated into the historiographical discourse. This article explores how the Crónica de Castilla (c. 1300) employs material culture as an additional strategy to represent characters and interpersonal relationships. Via carefully selected scenes involving Rodrigo Díaz, the Cid, and two rulers who interact with various him, the study examines the impact of narrative materiality on identity and memory formation in the work. Considering that these semiotically charged displays are intertwined with various contemporary discourses and practices, they also lead to a better understanding of the Crónica de Castilla’s compositional tendencies and the values attached to non-verbal forms of communication.

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Publication Details

Journal
Studia Historica Historia Medieval
Published
2024-12-19
DOI
https://doi.org/10.14201/shhme.31404
Primary Topic
Archaeological and Historical Studies
Type
article
Field-Weighted Citation Impact
0.00

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article

Material Performances: Heroic Threads in the Crónica de Castilla

Marija Blašković
2 links
Studia Historica Historia Medieval
Archaeological and Historical Studies
article

Material Performances: Heroic Threads in the Crónica de Castilla

Marija Blašković
article en

Abstract

Medieval courtly culture often relied on corporeality and materiality to structure its social order and indicate its members’ power and prestige. However, these aspects were rarely integrated into the historiographical discourse. This article explores how the Crónica de Castilla (c. 1300) employs material culture as an additional strategy to represent characters and interpersonal relationships. Via carefully selected scenes involving Rodrigo Díaz, the Cid, and two rulers who interact with various him, the study examines the impact of narrative materiality on identity and memory formation in the work. Considering that these semiotically charged displays are intertwined with various contemporary discourses and practices, they also lead to a better understanding of the Crónica de Castilla’s compositional tendencies and the values attached to non-verbal forms of communication.

Studia Historica Historia MedievalVol. 43(1)
Universitat Pompeu Fabra (ES)
University of Pennsylvania, Universidad de Sevilla, University of Cambridge, Sociedad Española de Malherbología, Universidad de Salamanca
Openalex Percentile: Top 60%
Archaeological and Historical Studies
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